If ever there were a LEGO creation that looked like it was straight from a landfill, this is it. (And I mean that in the best possible way.) As the second industrialization-gone-awry model this week, Nooreuyed’s creation features some terrific looking brick trash and a great bit of forced perspective.
I honestly can’t say enough in praise for this creation by A Plastic Infinity (A Plastic Infinity). The purple alien landscape is lovely, and the lime acid fluid pops against it perfectly. The building has some cool little details, and the scene for an alien planet just works.
My only “complaint” is that I bought 8 cups of purple at the Lego store this weekend, with the intent of using it for an alien landscape, and now I’m late to the party!
My education in trains and train creations is woefully incomplete, fortunately Tim pointed out this creation to help me along the way. This is a German BR64, built by brickshelf user abhf. The truly amazing thing about this creation is that this photo is not the work of forced perspective. This is a huge an detailed display. I bet it looks amazing in person.
This alien landscape of a cavernous marshland by Raoul Baldwin features many exotic elements. There are so many aspects of this creation I like, including the color texturing with olive green and dark tan, the vertical raised dark tan baseplate, the rocks in the foreground to add perspective and depth, and the integration of elements of technology and nature. Don’t forget to check out the details of the organic looking alien walker.
Generally speaking, I don’t consider most Lego builds ‘art’. Most of the time, builders just want to make a cool castle or spaceship or whatever. When someone wants to convey a message through a build, it’s all too often done in a heavyhanded manner.
You know those snapshots that just bring you to a time in your life? Where you remember the defining moments, those poignant memories that make you smile. For me, this particular MOC reminds me of the first time I saw fireflies, in Tuscany, amid the vineyards. They were the only light along the path.
Carson Hart‘s rendition of an Italian Tuscan villa captures the bright colors and classic look, while forced perspective in the background shows off the rolling hills of vineyards. I imagine the other part of this villa may or may not include a winery that filled that bottle on the table.
For an example of the first, check out this photo by frame*. A few rocks, a custom minifig, and that’s it. The composition, however, is very nicely put together. The minifig pose looks well thought out, while the white space and depth of field of the image make for something interesting to view.
As a counterpoint, please check out this creation by Pippo Zane. I spotted this weeks ago, when it was first posted, and never managed to find time to post it. It should not be overlooked, though, as every crevice of this large diorama is crammed with interesting detail. My favorite detail is the twisted column (both of them, really), but that’s just one of many spots of detail that draw the eye. The display is large enough to draw the eye into detail and make the viewer forget the scale of the entire piece.