Post-Apocalypse or “ApocaLEGO” is a LEGO building theme which can see more dull brown and grey creations than the most boilerplate of steampunk. Here’s a glorious exception to the rule by Rat Dude: an imaginative take on the genre which sees enterprising survivors build a moveable dwelling out of transport containers and a truck — like some mobile version of the stacks from Ready Player One. Revelling in its central idea, this model is gloriously detailed, festooned with every likely requirement of the wasteland warrior catered for — solar power, fresh water, air con, a vegetable garden, and even an outhouse for the effective disposal of waste!
This thing is well worth a closer look, and the builder has provided some imagery of various angles. Great attention to detail on the model — just look at all the little touches that have been crammed into it. This layer upon layer of detail has created an engaging model within a building theme that usually leaves me cold. I can’t imagine a better ride in which to tour our dystopian future.
If Santa and his elves survived the apocalypse, they would do very well for themselves in an outpost like this, built by Tony Toy. Without a landscape to define its locale, it would be equally at home on the edge of a toxic ocean, or the top of a rugged mountain peak. Besides a number of industrial details like an abundance of pipes going here and there, a tower crane for servicing what could be a submersible, or a drone, and a machine shop for working on a well armored truck, there is a thoughtful inclusion of alternate colored plates and bricks to lend a well-weathered look to the walls. I also like the way that Tony has crafted modules with subtly curved ridges to give the outpost a stacked, cobbled together look.
See more details of this highly detailed post-apocalpytic workshop
Either I was more exposed to post-apocalyptic LEGO creations or they were actually more common back when I joined the LEGO community nearly a decade ago, but this theme always brings back memories of immersive scenes filled with danger and adventure. Zombies, bunkers, bullet holes and toxic waste — what else does one need? The seemingly simple theme actually hides limitless potential — if the whole world went down, there are a lot of locations to build, and James Libby chose to show us a desert.
The main feature of the scene is the cutout showing an underground survival bunker including some utilitarian furniture, and of course weapons. The top has some nice details too, the best and the most subtle one being the little wall around the trap door, which has just the slightest tilt to it. What I like the most though is the tan border. The texture adds depth, while the stylish cutout and the skeleton “buried” in the sand create an atmosphere reminiscent of a comic panel.
Every October, LEGO builders assemble their bricks for Ma.Ktober, a build challenge inspired by the 1980’s Japanese plastic models Maschinen Krieger. Chris Perron‘s contribution this year combines an old-style Dewback body with a bubble canopy and some rather ingenious parts usage for greebly bits on its legs, including crutches as struts. The sponson-mounted cannons are also an excellent touch.
A man built a thing. He had a name, in those long-before times when salmon ran in the streams like silver clouds in the moonlight and people went about their business in great cities gleaming with glass as yet unmelted by fires from the sky. His name was Patrick B. The thing he built was built from bricks and told a story. A story about a man and his child a boy. That story was first told by a man named Cormac McCarthy in a book called The Road. A book is a thing made of trees but you cant eat it like you can bark and leaves and the little stems that try to push their way toward the darkened sky at the end of the months of snow. This thing this story these bricks by the man Patrick show the man and the boy as they walk long miles along long roads to the sea. It is a thing to behold. A thing you cant look away from.
When it comes to post-apocalyptic LEGO creations, there is a vast selection of sub-genres that builders are inspired by, from cyber-punk, to wasteland survival, to monster/zombie/alien-infested worlds… and so many more. This scene by LegoFin. is set in a world where massive flooding and pollution have forced survivors to carve out a life among the crumbling remains of cities.
Aside from some very well-textured and very broken walls, I especially like the use of black bars throughout the structure for re-bar. This creates an even greater sense of danger and hostility in the environment. One missable detail is that the entire outpost is supported by a few small supports precariously balanced over the water. Then there’s all those utilitarian details like the radio tower, weather vane, and solar panels that complete the scene very nicely.
Whatever happened to Fabuland – the 1980s animal-character driven play theme from LEGO – appears to be Dutch builder Sebastiaan Arts‘ raison d’être in creating his last habitat in the world. In one of the strangest takes on the post-apocalyptic theme, the various animal-headed Fabuland characters have holed up in the Last Resort, a towering orange residential complex.
See more of this LEGO Space / Fabuland mashup
Creating a street scene with real character is all about the details – big and small. And when it comes to post-apocalyptic scenes, like this street scene by Jan T. the best details are in the destruction and erosion of man-made structures as nature re-claims what is hers. I’m not sure how I feel about the clown. Either it would freak the heck out of me if I were to encounter him on the street, or it would bring a smile to my face, and we would share a laugh as we scrounged for supplies.
There are so many great parts used in this scene and one of my favorites is the use of the twisty stem surrounding the large leaf plant part that most of us just throw away. You can find these used as vines flowing in and out of the buildings. Then there is the mini-fig back brackets used to create a lovely architectural detail above the door on the left building. The broken walls and windows are also quite nice.
Ah, to get away from it all — just pack up your trailer and head out of town. Well, according to LegoFin in 2046 you might just end up living in one of these dystopian suburbs. A collage of jumbled junk, all of course expertly built, from the resourceful layering of dishes to create the defunct electrical transformers, to the lovingly detailed generator out back.
The caravan’s design uses some cleverly arranged slopes, giving it its distinctive shape; a real home from home, it’s got everything you need… well, alright it has a bucket. Still, if you do get lonely, there’s always that suspicious-looking drone to keep you company.
Who doesn’t love a good post-apocalyptic scene? This outpost by Sebastian Bachórzewski has pretty much anything a gang of war-hardened survivors could want or need to hunker down and weather the storm. Personally, this fenced compound reminded me of the Road Warrior, with its eclectic mix of barriers, ramshackle buildings, and broken vehicles. One of my favorite features is the use of so many minifig hands to top the fence.
This alternate view shows off some more great details.
The post-apocalyptic world of Robert Maier has not been kind to the world of trains. Scarce resources have given to overgrowth and decay, with the former railway line now serving as a trail for weary explorers. Maier’s traveler had best watch out for trouble because trails also provide opportunity for predatory thieves. The major post-apoc elements are here: drab & weathered-looking colors, pock-marked masonry, plant overgrowth reclaiming the land, and even a super-mean looking chainsaw-wielding thug with a mohawk. Approach with extreme caution!
This ain’t no Hogwarts. This broken down school by Jonas Obermaier has been turned into a base of operations for a nefarious gang of survivors of the End. In addition to the well-textured vegetation running wild on the grounds, there are some very nice architectural details not to be missed. Take the Dobby heads on either side of the lion head below the roof, for example. Also, a number of micro-figures in tan are a nice touch along the rooftop.