Well, it’s no surprise that we’re seeing a lot of groovy Mad Max Colon Fury Road builds popping up on our radar this week. Here is the “gigahorse”, excellently rendered in LEGO by alex & milo. I wish I could tell you more about the gigahorse, but I haven’t seen the movie yet and wanna avoid running into any spoilers (…and I suspect the longer I put if off, the harder that’s gonna be!)
I haven’t seen the new Mad Max yet, but I’m certainly a fan of the original trilogy. Calin (_tiler) evokes memories of The Road Warrior with his Nomad. This thing is the epitome of minimalist, stripped down road-going power. I’m not sure I’ve ever seen such a stipped-down car rendered in LEGO. The use of flexible harness pieces as a frame is an inspired way to render the look of a simple cage.
This foreboding compound represents the end of the road in an enormous post-apocalyptic LEGO diorama created by Swedish LUG Swebrick for an exhibition they held last month. The full diorama is quite impressive, both in its scale and in its attention to detail …and also in the amount of dark tan used! Thanks to Jonas Wide and Christer Nyberg for the photos.
Of his latest creation, Gabe Umland says “For some reason post-apoc has fallen out of style, but it doesn’t mean it’s not still cool”. So true! Inspired by this drawing from DeviantArt member Dumitrescu Ioan, Gabe’s diorama captures the ramshackle world of repurposed ship parts on the bed of a long dried-up ocean:
But it’s all the little details that make a scene like this more interesting – and warrant a closer look – right down to the very comfortable-looking interior of an old shipping container:
While I have not read the book, I love this build. I particularly liked the attention to detail with all the crumbly bits and the fantastic arched back which really creates a sense of being in an underground subway station.
The Vertibird is one of the more recognizable pieces of industrial design from the Fallout universe (and practically the only aircraft in the games). Justin Stebbins (Saber-Scorpion) has done a great job of capturing the shape of the original. While a trans blue cockpit may not match the appearance in the game, it matches the shape well, and still feels right.
Through the leaning pose of this futuristic rider, and the outstretched limbs of his steed, Hungarian builder and artist Kristof (legoalbert) manages to impart a beautiful sense of motion to this creation using relatively few bricks. It’s not hard to visualize the leaping gait of this long-legged robot as it efficiently navigates the obstacles of some other-worldly landscape.
But the poetic backstory to this figure really completes the piece and leaves me wanting to see more of the savage world in Kristof’s imagination:
“Dark cloaked shadow-men patrol the wilderness of the Afterworld, roaming around on their tall artificial mounts. Swiftly rushing trough the densest of the forests, zig-zagging on the streets of the dead cities, they’re only vulnerable to the Vultures of the Plain, out in the endless grassfields, where the Insectmen rule.”
The look of the gas mining equipment and settlement drew me in to this display by Joshua Morris (I Scream Clone). The details, and interesting part usages (I’m digging the dome especially) kept me looking at it long enough to notice the figs. The jack-o-lantern people added a nice little twist that I had to share.
I’m pretty sure that this diorama by Daniel Garcia Rodado (AlterEvo) and (AL13N163NA) is the first I’ve seen inspired by the movie Elysium. Regardless of what you think of the plot or script of the movie, it had some stunning visuals, and some really cool tech. I like how this display is made up of a series of vignettes, disconnected but bound together. I also think that the builders did a great job of representing the exo-skeleton worn by Matt Damon’s character, at minifig scale.