There’s a lot going on in this sculpture by Adam Betts. Gravity defying, drippy, creepy, and undeniably imaginative, Paint Pouring On A Minifig Skull is a creation that deserves a close look. I like how the underlying skull is a great match for the suggested bone structure of a minifigure head, and how the fondant-like paint overlay perfectly captures the “skin” and facial features as the paint covers the superstructure. The suspended paint bucket is also well done, and I love the tiny touch of the banana splashes.
February’s cover photo brings some luck along with it. /snirk/snirk/
These lucky cats, by Ruobing Dai, are adorned with different decorations symbolizing good fortune and making money, and the detailing is exquisite. Meeeeeow.
But seriously though, I wouldn’t mind putting one of these in every room in the house to bring any kind of luck to this year. They’re super cute and each cat has a unique design on his tummy; a treasure basin, a teeny cat set, and a carp. They’d actually go great in my living room.
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This beautiful painting by Hoang H. Dang shows a pleasant street scene with ancient architecture and a gnarled tree, along with a few small street vendor stalls. But there’s much more to it than first meets the eye. Although it’s ostensibly a painting, it’s actually a low-relief sculpture masterfully executed with LEGO bricks, lending it an amazing sense of depth.
And look closer–this painting is much bigger than you probably realize. There’s detail packed into every square inch because the entire piece is enormous–more than 3 feet wide. It’s so big that a Duplo fire hydrant looks right at home. Let’s take a look at some of the other details.
Ever since I saw the Hogwarts moving stairs model by Jonas Kramm I have this thing for LEGO paintings with elaborate golden frames. This creation by Kitkat1414 reminds me of that. In this creation, he used the minifigure torso in a brilliant way, representing the sails of the ship. The printing of the torso even adds some movement to the creation. However, the best used part in this creation has to be the Metalbeard part used as a miniature cliff. The painting in the middle of the frame is not the only true work of art — the paintings surrounding it also contain a lot of details.
We have seen quite a few builders pay tribute to the Empire’s most fearsome walking tank, the AT-AT. But I think this is the most unusual version I’ve seen in quite a while. Simon Liu has stretched his LEGO creativity to new heights with this stilt-legged AT-AT tasked with delivering Christmas trees to all corners of the galaxy.
One thing that LEGO and art have in common is that they are both highly sought after by collectors. The major difference between Banksy and LEGO is that LEGO is collectible whereas Banksy’s oeuvre is impossible to collect (on purpose of course). That being said, with LEGO anything is possible — even the recreation of a Banksy, as Tina and Chris have done here in this wonderful build.
The builders seem to heavily rely on the SNOT (studs not on top) technique to achieve the form of this build. No specialized elements are utilized here; looks like mostly bricks, small plates and tiles compose the piece.
The subject of the build is what is most alluring, especially since Tina and Chris have constructed a version of the artwork hilariously “self-destructing”. While nobody can really become a Banksy collector at least the concepts of his work can live on through other media.
Sometimes a LEGO creation enables you to smell, feel and imagine a whole slew of things that aren’t even there. Take this render by Douglas Hughes, for example. It is called Sunset in the Gulf and it depicts a helicopter and oil rig silhouetted against the sunset. I can imagine wearing ear plugs to squelch out the noise and a hard hat that barely contains the sweat and grime. I can envision wrenching on an uncooperative bolt with all my strength, filthy coveralls and a squeal of machinery. Do I have an overactive imagination? perhaps I do, but an imagination fueled by life experiences. While not quite an oil rig I have been in the boiler rooms and engine rooms of ships and there is a certain taste and smell to an environment like this.
While your experiences and feeling for this piece may vary, at least for my ol’ reptile brain this conjures up rusted memories of now ages gone by. And for that, Douglas, you have my kudos.
It takes a talented builder to take a very specialized LEGO part, like a train switch, and turn it into something totally different. Of course, we all know Jonas Kramm is a talented builder, so it should come as no surprise that he managed to make a train switch into a painting of a peacock. It is unquestionably the best peacock head I have ever seen done in LEGO form, and perhaps the best bird head, too. The bumps on the switch make perfect nostrils, and it also works well as the eyes on the tail. But Jonas did not stop there: he also used the part for the lantern flame, and the drawer pulls. Not to mention the Jurassic World gyrosphere for the lantern glass and the green snake for paint. It’s a great composition of a great composition, for sure!
A little while ago, Alyse Middleton and I (Chris Doyle) shared the process behind our Wonder Woman LEGO Art mosaic. We didn’t have the time (or parts) to finish our vision then, but as promised we’ve returned to share the completed project – a 48 x 144 stud tribute to Lynda Carter. Consuming over 7000 pieces, (6,912 of them 1×1 round plate/tile), this has the same form-factor as the giant Darth Vader and Iron Man “Ultimate” builds.
In this rather solemn LEGO mosaic by Jaap Bijl titled “Einstein’s One Great Mistake”; a more serious topic is explored – Albert Einstein and his role in the Manhattan Project. If we’re going to get artsy here, I would even say that the color palette and aesthetic of this build are reminiscent of Picasso’s “Blue Period.”
The 4×4 petaled flower element is back in multiples, this time in an ominous arrangement forming a mushroom cloud – the shape generally synonymous with nuclear explosions. The rest of the scene in the right panel is formed with various sized plates and tiles in dark hues with white 1×1 round bricks and cones creating the stem of the cloud. A portrait of Einstein is presented in the left panel; his face is carved out of various bricks, slopes, and tiles, for the most part utilizing the SNOT (studs not on top) technique. Einstein’s notoriously unruly and spiky hair is rendered by a synergy of the white 4×4 petaled flower pieces and white dinosaur tails. In terms of composition, although this work could be called a mosaic, it differs significantly from the new LEGO Art mosaics which are comprised mostly out of 1×1 studs. For me, Einstein’s hair and the mushroom cloud both being heavily composed of the petaled flower elements represents a kind of mirroring effect, but I could be looking too deep into this. Either way, I think it could be said that this build is genuinely thought-provoking.
The idea for a new quarantine hobby — marble sculpture. Oh sure, it can be pricey and a little hazardous… but if we’re talking about LEGO, all you need is a monochrome minifig on hand and a few Tuscan houses to set a scene like Kev.the.builder’s latest creation. In this idyllic build, Renaissance artist Leonardo da Vinci is carving out a new masterpiece. The sculpture looks very polished, being made of a variety of tiles, including a Nexo Knights shield and macaroni tiles. The houses in the background are great examples of Kev’s knack for textured brickwork. My favorite is the dark tan house on the right, with its inset masonry brick door. The exposed studs on its pediment add a nice rustic touch at the top of an upside-down cheese slope archway.
It’s 1496 in Milan, Italy and the renowned artist and inventor Leonardo da Vinci is finishing up his latest commission, a fresco spanning the wall of the Convent of Santa Maria delle Grazie. Over the years, “The Last Supper” has become a symbol of the Renaissance art movement. More recently, it has been recreated as a LEGO vignette by Joe (jnj_bricks). In this stunning rendition of da Vinci’s masterpiece, Joe creates the appearance of a two-dimensional fresco with the illusion of three-dimensionality using three-dimensional LEGO bricks– it’s mind-boggling!
Let’s take a look at some of Joe’s illusionistic building techniques in “The Last Supper”. First, the floor in the fresco is built slanting upwards. This creates a deep shadow underneath the table, reminiscent of da Vinci’s chiaroscuro technique of contrasting light and shadow in his oil paintings. Next, the walls of the room within the fresco are built using slope bricks instead of standard 1x bricks, making the “back wall” appear to be much farther away than it actually is. Finally, the bordering brick “window” that frames the fresco completes the composition. Early illusionistic wall paintings that date back to ancient Rome would also use this technique to portray a vista into another world.
All of these techniques enhance the forced perspective in the overall build, creating a convincing replica of the real-life fresco. With the amount of realistic details and artistic techniques packed in this build, it’s hard to believe Joe hasn’t apprenticed for the Renaissance master builders!