Many builders use standard squares and rectangles as the base for their base, and it makes perfect sense, considering how many LEGO plates are rectangles. so, using a non-rectangular standard really stands out. Simon Liu has come up with an experimental new collaboration standard using a triangle base which fits together neatly and is designed for the trophy figure scale. The base is filled with gold parts that combine with the stark blue and white color scheme and check out those rovers!
Anyone who has met me knows that I am a sucker for the colour teal. Some even joke that I disregard anything LEGO which does not include teal. In which case, the talented Simon Liu has earned my respect with his small cyberpunk robot. Not only do I approve of the gorgeous colour scheme, but also the ingenious usage of my favourite elements throughout. For example, the “espresso handle” in the knee and elbow joints and the Overwatch gun in the lower legs. The robot clips make for strong shoulder and hip joints, and the round 1×1 plate with hollow stud is very useful when attaching these to a proper LEGO stud connection. Last but not least, let’s not forget about a fairly new part: Monkie Kid’s headphones as shoulder armour.
By adding a neon gridded base and dynamic pose, this small build became Simon’s homage to another similar pink-haired cyberpunk robot that we have previously featured.
They say all snowflakes are unique, and that seems to also apply to microscale castles in the snow. This excellent creation by Simon Liu is rich in clever part usage. Orange unicorn horns, tread attachments, and 1×1 roof tiles add just the right splash of color to the grey stone. In the castle there are plenty of clever angles and building techniques to explore. I like the use of rail plate to form the walls, and that inverted bucket at part of the main tower. For the snow, various tooth plates in white add texture and context for the scene. It’s a tiny winter wonderland!
Are you bummed about the recent cancellation of LEGO’s Technic Osprey V-22 set? Yeah, me too. It’s like LEGO suddenly remembered that they don’t like being associated with military stuff and then it’s no soup for you! The decision has me scratching my head over what to do with the official Red Baron and both Sopwith Camel sets now. Anyway, Simon Liu is not one to let a cancelled set bring him down. I know it’s not the same, but here’s his very sleek futuristic V-42-Osprey in neat olive green with orange highlights. The point of showing you this is, while LEGO occasionally makes doofus decisions, they provide the pieces so that you can build anything you want. Who needs directions and an official set? With LEGO bricks and a bit of imagination, the world is your oyster. Or Osprey.
For a medium that’s based around the core idea of “you can make anything you want,” LEGO builders just love to impose limitations on their creations. Things like “use only one color of brick” or “it has to be symmetrical,” or even the tricky “you can’t have any exposed studs.” Once again drawing inspiration from the drawings of M.C. Escher, Simon Liu takes that particular set of challenges and overcomes them. (Again.) Escher’s Drawing Hands transforms from flat art into a sculpture of hands creating themselves out of LEGO. Building Hands adds just the right touch of meta-level humor to a great build.
I particularly like how Simon found a clever way around the “no exposed studs” limit. By replicating the studs out of 1×1 round tiles, they both flaunted and followed the rules. Sure, the use of red lights may annoy the “monochromatic purists” among us, but I have a feeling they’re in the minority. No one said anything about limiting the light sources, after all. Or if they did, I didn’t hear about it.
What you’re looking at is one of them there Tetrahedral Planetoids we’ve heard so much about in the sci-fi funny pages. Leave it to Simon Liu to wrap his noggin around a thing most of us can’t even pronounce much less think about. But Simon has one of those creative noggins and a knack to put it to use in LEGO. Math is beautiful, he tells us. I’ll take his word for it as my own mathematical results vary from “that just about makes sense” to…”now what in tarnation were you thinking, boy?” This piece is an exercise in both symmetry and monochromic applications. It was inspired by M.C. Escher who also has one of them creative noggins that can make math look beautiful.