Even though the month-long LEGO ship-building challenge known as SHIPtember may be months behind us, epic models started in or inspired by this ultimate challenge are still showing up, and this late entry by Spencer Hubert really captured our attention. The name suggests that the primary weapon involves heavy gravity, and the ship’s many details combine to make this vessel both elegant and capable. One of my favorite details is the subtle angle built into the sides of the forward fuselage.
The color choices for the top and bottom cones at the front really pop, and the extensive dark gray greebly details throughout are well integrated into the body of the ship. Another great part use is the airplane landing gear used in the recesses on the side mounted engine housings.
The annual LEGO build challenge SHIPtember is over, but we’d be failing our obligations to you our readers if we didn’t highlight Simon Liu‘s Frontline Artificial Intelligence Logistics Supervisor. This brutalist, monolithic behemoth has a great contrasting colour scheme of primarily dark grey, with subtle hints of vibrant yellow and brilliant orange. I love the juxtaposed angles that Simon has created with a variety of interesting techniques. The FAILS serves as the logistic hive centre of the SL Drone Fleet. Heavily armoured but completely unarmed, the SL FAILS depends on its fleet to be its defence.
Neo Classic Space has existed for some time as a modern interpretation of the nostalgic grey and blue theme from the early official LEGO space sets of the late 70s into the 80s. But builder AFOL anon is stepping up the game with the sleek space cruiser. The SHIP (easily clocking in the 100-stud length for a SHIPtember entry) retains the styling of its smaller cousins, with an arrowhead shape, side-mounted blasters, and spoiler, while simultaneously smoothing out the hard edges.
I particularly love the shaping from the rear, where it gives off faint vibes of a Super Star Destroyer in classic space livery.
Throwing traditional building caution to the solar wind, Alex “Orion Pax” Jones’s insanely colourful ship is certainly one of the more unusual models to come out of this year’s SHIPtember challenge. Alex notes that he tried to use all of the colours in the LEGO palette, making his build not only a SHIP (a seriously huge investment in parts), but also a SHIC (a seriously huge investment in colours).
After its namesake, the side of the vessel operates as an interstellar PAX or peace sign. Borrowing heavily from the graphic flourishes of graffiti aesthetic, the spacecraft shrugs off the utilitarian norms of spacecraft design in favour of a brash, exuberant look. Alex explains his ethos best when he says: “If you ride, ride in style!”
We may sound like broken records here at The Brothers Brick every year when SHIPtember rolls around, but I really do believe that spaceships people build are getting more and more imaginative. Inthert‘s contribution to this year’s event is a prime example of that.
The spaceship looks almost alive, like a mix between a jellyfish, a mushroom and pure mechanical evil. Shapes are nothing LEGO bricks naturally support, but the builder has managed not only to make the dome at the front look good but also to make it open, with a beautiful mechanical interior. General consensus for conservative spaceship colour schemes suggests fewer colours used, carefully separated by clean lines, but somehow Inthert has managed to make his build look great even with multiple grays, black, brown, gold and green used in very intense combinations. The secret here is that each colour has a strongly defined role and makes sense in the build. As far as details go I could not even begin to cover all the ingenious little parts, but my favourite by far is the central section, where mechanical tentacles can be seen through transparent panels.
Adding to an impressive line-up of spacecraft for SHIPtember 2018 is Anders Horvath with his LEGO replica of a GR-75 Medium Transport from The Empire Strikes Back. Choosing to build a Star Wars spacecraft so iconic and recognizable is challenging, but Anders nailed it with excellent contrast between the cargo containers, central greebling, and relatively slick hull panels. Best yet, it’s even got an interior.
The layered elliptic paneling of the hull is built beautifully. The original seen on screen is segmented unevenly, and this is reflected well in the LEGO rendition. The layering of tiles create the divisions between panels and suggests curvature down the length. Continue reading
As the month of September draws closer to an end, so too, the month-long annual epic that is SHIPtember. The challenge of building a spacecraft that measures at least 100 studs in any direction (AKA a SHIP) in a single month is no easy accomplishment. One of the most critical aspects of a good SHIP is its structural frame, requiring careful crafting to keep the vessel from falling apart under its own weight without looking too bulky or boxy. This ship by Chris Perron is a great example of this balance, combining form with industrial function. Another hallmark of the SHIPtember shipyard comes from making use of parts not typically thought of as spaceship parts, like the trapezoidal orange dump truck ends so expertly used by Chris to form the hexagonal sections along the fuselage. Another great detail are the flat gold flanges in front formed by angled tiles.
In February 2018, an impressive test launch of the SpaceX Falcon Heavy rocket was conducted with Elon Musk’s personal Tesla Roadster as the payload. For SHIPtember each year, LEGO builders challenge each other to build a LEGO spaceship (in which “SHIP” means “Significantly Huge Investment in Parts”) at least one hundred studs long. Adrian Drake took up the challenge to construct an impressive LEGO model of Musk’s roadster and its dummy pilot “Starman.” Whether it counts as a spacecraft for SHIPtember is debatable (we believe it does count!), but it hits the 100-stud-long mark (about 31.5 inches) and is shaped and sculpted rather well at this scale.
The fully detailed cabin interior is worth a closer look.
See more photos of Adrian’s Tesla Roadster and Starman on Flickr.
They say space is full of stuff of all sorts — Death Stars, teapots orbiting the Sun and even a red roadster. Sheo. explores some of the most distant corners of the outer space to find an interstellar… fish. Yes, he calls his latest LEGO creation a giant space fish, and it’s hard to argue since we have no idea what else can be floating up there! The real highlight of the creation is, of course, a gray sphere right in the middle of the body secured with some crazy amount of red tentacles. Does this creature look intimidating? Absolutely. But can a lonely traveller escape its attraction..?
It’s that time of year again for SHIPtember — one month to build a spacecraft over one hundred LEGO studs in length (approximately 31.5 inches). I haven’t participated successfully since 2014, when I built UNSC Savannah from Halo: Reach. 2018’s build worked out much better, so I present my LEGO model of Exodus Black, a colony ship from Destiny 2.
See more photos of Nick’s Exodus Black after the jump
This incredible spaceship by AdNorrel features distinctive profile shapes and smartly integrated LEGO pieces. The lovely bits of filled-in details within the crevasses and armored surfaces of the starship are great examples of greebling done well. Not too out of place, not too overshadowed — there’s some real inspirational craftsmanship here.
I don’t want all of my articles to become running checklists of parts, but see if you can spot the messenger pouches, croissants, and frying pans. It’s a really fun scavenger hunt kind of model.
Click to see even more of the Valzaleer
As September looms nearer by the day, seems like builder noblebun is already flexing his muscles for the upcoming SHIPtember event where fans of LEGO battle to outdo one another creating huge ships. Sounds simple? The challenge rules just say the SHIP needs to be 100 studs or longer (also known as a Seriously Huge Investment in Parts). This digital build is outstanding for the seriously smooth texture that makes it feel like the lines are all actually part of a futuristic design and not the signs of LEGO elements pieced together. I seriously love how the microfigures were used as part of the centerline texture and greebling effects.