We singled out Jeff Friesen’s Cityscapes as our 2017 Creation of the Year. If you’ve missed it then, these are still very much worth a look, and even if you’ve seen them, they’re so mesmerising that you may find something you missed earlier on. It’s almost soothing and appealing to let your eyes wander around these intricate builds.

We could not resist reaching out to have a deeper discussion with Jeff to understand the mind of an artist that could create something so different and unique with the very same bricks all of us see and build with every day.

Can you tell us a little bit about yourself, e.g. where are you based, your LEGO history, and your work (LEGO/Photography and real life if it is different)?

I’m an award-winning photographer based in Victoria, British Columbia, Canada, which is on Vancouver Island. I have vivid memories of playing with LEGO from the age of 3 (that was in the early 1970s). I had a shoebox full of white and red bricks in the classic sizes, mostly 2 x 4s. Those bricks were used to make everything from aeroplanes to cities to double-decker car ferries for Matchbox racers. Recently, I was wondering why the brick selection was only red and white. After doing some research it appears the bricks must have been a hand-me-down set from the 1960s. Back then LEGO used to have basic building sets in just red and white.

The late 1970s brought with it the dual treasures of minifigures and Space LEGO. I essentially lived in a Space LEGO drama for a few years. Blue, trans-yellow, and grey were the primary colours of that era. As a child, the actual LEGO building is just the beginning of the fun, and then you get to play with what you’ve made. As an adult, I’ve replaced the play phase with photography.

It’s amazing how LEGO has been there through every stage of life, and now my daughter’s life.

Click here to continue reading our interview with Jeff Friesen