It’s not clear whether LEGO builder Shannon Sproule‘s roving habitat is meant for use on a distant planet or the apocalyptic future of our own, but this repurposed APC looks like it’s seen it all. Shannon says it used to have a turret, but that’s now been replaced with a hab module and comms equipment. The vehicle is battered and worn, with Shannon doing a great job with the weathering thanks to introducing some brighter colors like dark orange and coral. The simple digital background also gives the presentation that sense of place, which goes a long way in telling the APC’s story.
For it is written, twas the Triassic Era LEGO Gods of Legend who sayeth unto he “go forth and buildeth a SHIP, a Significantly Huge Investment in Parts. It shall be no less than one hundred studs on one side. Thou shalt hence forth do it every September and thou shalt call it SHIPtember for that will be totally bitchin’.”
Like Noah, so many faithful disciples and space nerds had heeded the words of the legendary LEGO gods every September and has been building SHIPs for as long as we can remember. One such faithful disciple and space nerd is Shannon Sproule and this uncanny “Shipbreaker CALYPSO”.
LEGO Spaceships come in all shapes and sizes. Sometimes delicate, sometimes brutal, sometimes massive, sometimes tiny. Frequently featured spaceship builder Shannon Sproule often surprises us with his unique style, and this search and rescue vessel does it again. Most of the repair ship is barely wider than a standard 2 stud brick, but the slender and tall profile is bristling with grappling arms, hangar bays, and lots of sloped parts to add a little flair. One of my favorite parts is the game die used along the underside. If you are a purist though, don’t look too closely at that bent antenna on the top (wink).
When it comes to building grimy-looking industrial salvage spaceships inspired by Weiland-Yutani, the company from the Alien franchise, I can think of nothing better than to re-use elements from previous spaceship models. Frequently featured builder Shannon Sproule demonstrates this salvage technique beautifully, along with some post-production effects, to create a working ship that has clearly seen a lot of action. One of my favorite details is the use of similar circular elements and tiles along the side. Large slopes and pipes sticking out on all sides, and very few well-placed studs complete the look.
“Do the black units house digital essences? Is the pink fluid some sort of coolant? Do they clump together and need to be separated? Do the spiders drink the coolant and keep the ducts clean? Is working at this Stasis Temple considered a great honor?” These are numerous questions that builder Shannon Sproule asks but doesn’t have the answers to. However, this does reflect a freeing way of stream of consciousness in building by experimenting with neat colors and textures without regard for their purpose.
He tells us, “If I was the other Shannon (Young), you would’ve gotten a beautifully-written backstory, but since it’s me you only get a few brain farts and a hand wave to pseudo-religious-technology.” That’s OK, Shannon. If I were any other Brothers Brick contributor, I would have thought up a more high-brow title. Good thing we’re all friends here.