Large spaceships get the geeky type quite excited, and we LEGO builders are some of the geekiest. Over the decades, this has lead to a standardized criteria of what qualifies as a large space ship – 100 studs in length. While I do love every large spaceship out there (as the especially geeky type of person I am), I wonder if this criteria has started to impede creativity. With an annual celebration of large LEGO spaceships (also known as SHIPs) every September, the bricks of the world have been concentrated to bring us many elongated spacecraft that quite often measure exactly or just over 100 LEGO studs long. What about bulkier 90 or 80-stud spaceships that so rarely get made? On the other side of the coin, this cultural phenomenon has been a great source of inspiration to builders who may not have otherwise built a big hunk of space metal, not even a medium sized one! Another point is that this common perception of what qualifies as “large” is a uniting factor in the community.
The third side of this (apparently three-sided) coin are builds that are basically the definition of an elongated spaceship, but still manage to impress immensely! Anthony Wilson brings us a creation that has some amazing textures, negative space and colour blocking. What I love most about Anthony’s Pelicon-3 is the bridge area, with windows on either side, revealing a busy interior filled with trophy minifigures.
Recently I wrote an article that mentioned there are a few names that spring to mind when considering LEGO-built characters. Another one of these prolific builders is Anthony Wilson. His newest creation is Aquasaurus, an impeccable display of form and function working so well together, that it hurts my head.
His incredible use of colour is always refreshing to see. This build harks back to the colour palate exclusively used for the Arctic City and Town sets, which I have always enjoyed. Relatedly, one thing that separates this from the pack, are those excellent gill fins, set in the ever-elusive teal. Though not made of many pieces in this elegant creature, the contrast it creates is brilliant. In a creation of such scale, articulation can also be a challenge to hide and keep functional. Wilsons subtle use of colour specific Bionicle parts, achieves this flawlessly, giving the limbs of this creature an exceptional pose. I find myself wondering how much this beast would weigh, as his use of balance on that black pillar is great, leaving only a tiny footprint of a base below.
For another look at Anthony Wilson’s beautiful use of colour, check out his Western Woods.
Certain core LEGO themes like castle and space seem to have very specific directions of experimentation and technical progress. We generally associate castle builds with unique textures, but having a colour palette usually limited to various earth tones. Colour experimentation is not unheard of in the theme though, but remains the rare exception that reminds us of specific builders like Luke Watkins or jaapxaap, among others. This time, Anthony Wilson goes to the extreme with what almost looks like a negative image of what would otherwise be a cute but quite ordinary castle scene.
There are so many tones of blue, yellow and orange in this build that even if I try to count them all, I would probably still miss one or two. The transitions between the different colours in the grass are especially smooth and really add up to a realistic effect (as realistic as yellow grass can be). The 1×2 tile-based wall is not a new technique, but the two rows look great overgrown by all sorts of dark brown plants. The yellow ninja minifig and its animal companion add that vitally important bit of life that complete the scene.
If you’re looking for a video game villain to rule all, look no further. Anthony Wilson’s centipede mech will leave you squirming in your seat. This thing is filled will all sorts of nasty, from its menacing claws to what can only be described as egg-filled hatchling pods. The overall color scheme is phenomenal and the parts usage is superb.
Every inch of the build is filled with cool techniques, from its numerous varying legs, up its spine, and to its terrifying head, complete with serrated swords for pinchers. The design truly brings it to life. Now, it’s important to realize how big this thing is. It would be scary enough small, but it’s over 50 studs tall, not including the upper arms. That’s 40+ centimeters, or nearly a foot and a half. Imagine if it was human scale compared to a minifig. Shudder.
Posing is everything when taking pictures of a build like this, and Anthony has nailed it here. While it’s a completely different kind of build, he also did a great job posing his coffee-loving dragon.
We know and love Anthony Wilson for his charismatic and vibrant brick-built characters. Some of them are utterly cute, while others are inspired by some very challenging video games. But this time Anthony draws inspiration from the very first generation of LEGO Bionicle sets, and in this particular case — from 8535 Lewa. His lumberjack Lewa scene is a stunning combination of smart building solutions and tiny references. The highlight of the scene is, of course, Lewa’s plaid shirt, which suits the hero surprisingly well! But can you spy the rest of symbols and smart use of pieces?
Who wouldn’t want a fantasy-themed coffee machine? To meet the demand, Anthony Wilson has built an adorable little fellow named Vay the coffee dragon. Vay is packed full of character, thanks to a pair of big eyes and the positioning of his body. His fistful of coffee beans is the essence of hospitality. This is in contrast to the hand tucked behind his back, seemingly saying, “what are you waiting for? Drink up!” Vay’s sleek curved body suggests he is fast in flight, which seems appropriate given his daily caffeine intake. Equally impressive is the coffee machine itself, which uses transparent colored pieces to show the water level in the reservoir. We dare you to drink this cup of joe. It’ll give you scales on your chest!
This adorable creation by Anthony Wilson is Ralsei, the monster prince who teams up with the player in the recently released game Deltarune. The stand-out design of his simple white-rimmed glasses is probably one of the best uses of Technic rubber bands usually reserved for providing tension in the moving play features of official sets. There is another great part used in the black boots, a car tire. The wind-swept scarf is also a very nice touch.
This skillfully built pod by Anthony Wilson combines Technic panels with system elements to create a stylish vehicle that would look equally at home deep underwater, as it would in space. One of my favorite details is the gently curving collection of steering handlebars peeking out behind the cockpit. Bright colored trim and tubes also lend a Tron vibe to this single pilot pod. And speaking of pilots, I tip my hat to Anthony for the excellent condition of his Technic figure which is 20 years old, but looks like he’s fresh off the assembly line.
After playing the latest DLC for Hollow Knight, talented multi-theme builder Anthony Wilson can’t contain his delight . Such a cute, yet so deadly Shade is one of the many reasons to fall in love with the game. This ghost appears every single time the main character dies, and you’ll have to defeat it to regain the energy and the wealth you had collected before. You’ll face the Shade calmly levitating in mid-air right next to where you just died. Despite building a static figure, Anthony skillfully captures the ghost’s smoke-like body. And even the sword behind the Shade’s back looks exactly like the one in the game.