Kosmas Santosa got out of his comfort zone, due to a challenge from a friend, and built this scene of the undead coming back to life. The atmosphere he has achieved here is awesomely creepy. I give me the chills just looking at it.
Nooreuyed offers a fresh take on the zombie apocalypse with his latest build, The Greenhouse. All too often dioramas in this genre end up looking like little more than catalog photos with aftermarket gun-laden minifigs standing aimlessly in front of generic building facades, so it is very refreshing to see a builder break out of that mold. The scene is very immersive and while busy with details it somehow never becomes cluttered. The rake and garden hose in the foreground are perfect for the setting, as is the lighting. So cheers Nooreuyed now make like Prometheus and bring your gift of fire to the builders over at the Flickr group Lego Scenes before their creativity is snuffed out completely by the conventions of the genre.
It’s actually quite hard getting LEGO ruins to look right — it’s not as simple as knocking a few bricks out of the building you’ve just made. Kyle (K.Kreations) blows a big hole in his building and shatters the windows to recreate the look of a ravaged city in a post-apocalyptic wasteland.
I also like the realistic details on the buildings’ roofs, often overlooked by builders even though we usually view and photograph LEGO models from above.
See more photos on MOCPages, where pretty much everything lately is apparently an entry for the MOCathalon. (Can we just assume that now? Yes, I think so.)
I will admit to not watching zombie movies, because…well…they freak me out (Shaun of the Dead notwithstanding).
However, I can still appreciate a nicely created zombie model. Especially one as cool as Chris Maddison’s (cmaddison) latest creation.
…still creeps me out though!
Check out the full photo set for all the creepy details.
It’s December 21 now in the Mayan heartland, and the apocalypse seems to have passed us by. (For the record, historians and archaeologists agree that the Maya never actually predicted the end of the world today.) What better way to celebrate than with a roundup of the best post-apocalyptic LEGO creations we’ve featured here over the years!
To give you a sense of how the genre has evolved over the years, I’m listing them in chronological order.
First up, Adrian Drake‘s “Forest Sentinel” was debuted at BrickFest in 2006 and remains one of my favorites to this day.
Tyler Clites spent the better part of 2007 building post-apocalyptic LEGO models, popularizing the brown-and-gray aesthetic that remained in effect for the next several years.
Brian Kescenovitz combined Nannan’s Black Fantasy theme with a post-apocalyptic diorama in “Ephram’s Garden” back in 2008.
Continuing our coverage of great LEGO models debuted at BrickCon 2012, Paul Hetherington just posted his FUN HAUS! building, which won “Best in Town.” (Paul has a serious winning streak going — he also won Town trophies in 2010 and 2011, and won our “Best Apocafied Building” prize during Zombie Apocafest 2009 for his Turns at Midnight carousel.)
Paul’s funhouse was inspired by the Mexican Day of the Dead (Dia de los Muertos) celebrations, as well as the work of artist Pooch. The building features moving cars as well as letters, so the video is well worth a watch.
Zombie Apocafest 2009 has come and gone. The undead have been blown up, shot up, and mulched to oblivion. The humans stand victorious among the ruins of their civilization. Fortunately, that civilization was, by good fortune, built from LEGO, and it can be rebuilt, brick by little plastic brick.
Check out the full gallery of Zombie Apocafest 2009 photos in Thanel’s photostream on Flickr.
The display this year was more than double the size of last year’s, with 17 tables covered in all manner of buildings and vehicles, ranging from little mini-tanks to a fig-scale tanker. Once again, we had the organizational genius of LEGOLAND Master Model Maker Gary McIntire laying out the city, with major contributions from other LEGOLAND staffers, including Ryan Wood (Port ChiefLUG) and Joel Baker (awesome zombie head).
As announced before BrickCon, we had four prize categories. Here are the winners:
- Best Original Vehicle: Lino’s Zombie Killin’ Gay Pride Float
- Best Apocafied LEGO Vehicle: Tommy Williamson’s motorized 7636 Combine
- Best Original Building: Abandoned factory by Justin Pratt
- Best Apocafied LEGO Building: Paul Hetherington’s Dark Carousel (hard to believe it’s an undead 10196 Grand Carousel!)
So, how do these things work? What does it take to pull together a collaborative LEGO layout that covers a couple hundred square feet of display space? What have we learned after running a display at a LEGO convention for two years? Off we go…
It’s not as easy as it looks
Soliciting “cornerstone” LEGO creations, recruiting lots of good builders, and working with sponsors and partners is hard work. Similarly, planning for enough space with convention organizers takes time.
Know your audience
Despite my rather chirpy online persona, I have a subversive streak a mile wide. This manifests itself in my political vignettes and the occasional snarky comment. Before BrickCon 2008, a large-scale collaborative display of undead LEGO minifigs overrunning a Cafe Corner city, built by the adults who read The Brothers Brick, seemed like a reasonably subversive idea. I think last year’s display worked so well because that’s precisely what it was.
As cool as I think this year’s display turned out to be, it was a little spread out, and it was rather heavy on the small vehicles with spikes and ladders. The world really needs to be a nicer place than the purely ironic perspective some espouse, but really, some measure of self-referential irony would’ve been welcome.
I’m not a parent, and I don’t judge others’ parenting styles (okay, I do, but only a little bit). But it’s hard for me to imagine encouraging interest in the hyper-violent world of flesh-eating zombies and brain-smashing survivors. The subversive and ironic aspects of a zombie apocalypse built out of LEGO are likely lost on the 11-14 set.
A good idea is better than free stuff
Let’s be honest: The kiddies like the BrickArms, and will do just about anything for prototypes.
We’re big fans of the high-quality custom accessories produced by Will Chapman and his team, and can’t believe how generous they are. Will donated 35 packs of weapons for contributors, including hand-produced cricket bats at our request. Wow.
Nevertheless, we’ve all seen the “wil U trad wit me? kthxby” mentality on display in recent months, and I have to admit that the display this year seemed to attract a bit more interest from the 11-14 set than I’d anticipated.
In fact, there were at least two kids who leaned over the barricades during the public hours, asked to put one minifig on the display and asked for a contributor’s pack. Seriously, kids? The answer to both questions was — and will remain — a firm “No.” (I did let them take a picture of their figs on the display. I’m not a total jerk.)
Overall, I’m happy about how things went with Zombie Apocafest 2009, but it will be the last Zombie Apocafest, and I don’t plan for us to repeat themes from year to year. I’m even happier to report that we’re changing things up for next year. We’ve run our BrickCon 2010 display idea by a few attendees, and we’ll be announcing next year’s theme shortly. Plans are already underway…