I really don’t care whether movie critics consider Pulp Fiction to be one of the defining movies of the New-noir genre, whether it is a prime example of post-modernist film or whether it is empty-headed camp.
Ryan Ziegelbauer led a team of Lego designers to create this massive replica of The Grand Budapest Hotel from the Wes Anderson film. Together they spent around 575 hours and used more than 50,000 Lego blocks to make this 7-foot-tall model. Check out the video below for a glimpse of the building process.
Yo-Sub Joo takes his digital masterpieces to the sky with this giant virtual creation of the Avengers Helicarrier. Unlike real models, you can know the exact parts count in a digital build, and this one uses 22,694 bricks and would measure 85.4 x 45.3 inches in real life. You can see more pictures and detail shots on MOCpages.
Vlad Lisin ([Rhymes_Shelter]) once again wows us with an incredibly realistic Bionicle creation, this time depicting the characterful Rafiki from Lion King.
“How’s it feel to be on the front page of every newspaper in the English-speaking world, even though the other side denies the incident?” Top Gun is so cheesy, it’s like mature cheddar wrapped in a slice of Emmental with some Parmesan sprinkled on top. Yet, when I first saw the movie as a teenager, I loved it. Not for the actors and certainly not for the scenes of sweaty fighter pilots playing volleyball, mind you, but because of the true star of the movie: the wonderful Grumman F-14 Tomcat. I have been a Tomcat fan ever since and have had at least one LEGO model of a Tomcat for at least 20 years.
I have been thinking about building a larger scale aircraft for about two years now. Seeing the excellent 1/18 F-16 by Everblack a few weeks ago, in combination with my ongoing movie vehicle project prompted me to finally have a go. If I was going to bite the bullet, it would have to be a Tomcat and it would have to be the one from Top Gun, cheesy or not.
The process was relatively painless. Building an aircraft at a different scale was interesting. Some of the solutions that I’m used to didn’t really work, so I had to be a bit more inventive. However, the larger scale does have advantages. I had a lot more room to work with, which meant I could incorporate a lot of techniques that I normally don’t have room for. It is 108 studs long, excluding the nose probe, and with the wings in their most forward position has a wingspan of 110 studs. This isn’t small by any means, but it’s also not quite so large that I had to worry too much about structural issues.
I know that there are some readers out there who are of the opinion that I do blog rather many of my own models and, admittedly, I have blogged a fair few. I build a lot more than the ones I blog though and, be honest, do you think the other guys wouldn’t have blogged this if I weren’t one of the contributors?
I wish that Hollywood would stop making watered-down renditions of Eighties classics, no matter how slick they are, and would instead focus on something new.
However, Marin Stipkovic‘s rendition of Robocop looks like a classic to me.
As you may or may not have heard, Ellen Degeneres hosted the Academy Awards on Sunday, March 2. In true Oscars style, Ellen made this her entertaining with funny quips, freaking out the pizza boy, and posting a “selfie”.
Which later crashed twitter.
Our erstwhile pop-culture enthusiast Iain Heath has, of course, memorialized this moment in brick for each and every one of you to enjoy.
I’m pretty sure that this diorama by Daniel Garcia Rodado (AlterEvo) and (AL13N163NA) is the first I’ve seen inspired by the movie Elysium. Regardless of what you think of the plot or script of the movie, it had some stunning visuals, and some really cool tech. I like how this display is made up of a series of vignettes, disconnected but bound together. I also think that the builders did a great job of representing the exo-skeleton worn by Matt Damon’s character, at minifig scale.
How many of you saw the LEGO movie? All of you? Excellent. Did you hear they’re doing a sequel, due in 2017? That’s pretty fantastic news to me. I’d love to go back to that world.
Art of the Title gives a really insightful walk-through of the process creating the end-credits, with all of those excellent micro-scale worlds. If you need a reminder of how awesome it really is, their article has it for you to watch and pause whenever you’d like. The article doesn’t name any fans by name, though you may recognize a couple of builds, like Bruce Lowell‘s cow skull and hot dog.
Which of the end-credit builds was your favorite?