About Benjamin Stenlund

Benjamin started building he was three, when his father gave him a small Futuron set (6810), and has not stopped since then. Castle and space are nearest and dearest to his heart, but other themes occasionally get built, too; there are quite a few super heroes and Star Wars sets in his collection, at least. He builds as Henjin_Quilones on Flickr, and under the same name is the leader of one of the guilds on Eurobrick's Guilds of Historica role building game. When he is not building, he is busy being a stay-at-home dad to three kids and trophy househusband to one wife.

Posts by Benjamin Stenlund

A wearable LEGO Atom suit, though it won’t shrink anything but your wallet

While most people would agree that the Marvel Cinematic Universe, as a whole, is vastly superior to the competing DC product, the same cannot be said of the television properties, where the CW’s “Arrowverse” shows have been both successful and watchable. A minor character first introduced in Arrow, Atom (a.k.a. Ray Palmer), gets more screen time in the spin-off Legends of Tomorrow, and his shrinking suit is built in wearable (by a normal-sized human) scale LEGO by Brickatecture moc industries. Like the MCU’s Ant-Man, Atom can vary his size by using highly advanced technology contained in his suit, giving him the ability to get into tiny spaces or to grow huge, though it should be noted that Atom was first published in the comics in 1961 and Ant-Man didn’t debut until…1962. The suit in Legends of Tomorrow also allows Ray to fly and shoot energy bolts from his hands, and probably other things as well, so it ends up being something of a cross between Ant-Man and Iron Man.

Now, I won’t pretend to be able to identify the technical parts of the suit, but it looks great with its dark blue and red color scheme, and the connectors formed of pin connectors and Mixel joints give the thing a splash of contrast and flexibility to be worn. I don’t know how sturdy it is, but it definitely looks like it would be fun to wear around at a convention for a while, at least until you wanted to sit down. This is not the first bit of wearable LEGO superhero swag that Brickatecture moc industries has built; check out his Infinity Gauntlet, Star-Lord mask, and Venom mask here!

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A Middle-Eastern microscale masterpiece

Some builders just wow me time after time with stellar parts usages, not to mention their rapid-fire building. Pieces are used in ways that make me mentally file them away for a future build, or add to an imaginary Bricklink wishlist. One such builder is the highly skilled Simon NH, who after just visiting Hades in an awesome creation we highlighted earlier today, brings us a microscale build set somewhere in the Middle East. The building on the left is particularly rich with clever construction, but the whole thing bears closer examination. In fact, I’m pretty sure Simon looked over his white pieces and tried to find the strangest ones, and then worked out how to make them all fit together in some sort of mad-scientist LEGO lair.

The building closest to us in the forced perspective contains a basketball net as a rose window, which works because of the angle of the shot. Moving to the left (since Arabic and other Semitic languages are read right to left, and after all, this is a Middle Eastern-inspired build), the dark tan-domed tower is comprised mostly of stretchers and spinner bases. The tan archway uses a pre-fabricated piece, but at microscale it looks better than it does at minifigure scale, quite frankly. But then we come to the mother lode of exotic white parts in the leftmost building. Who even has a window with shutters last produced in 1975? (I might, actually, since I inherited my dad’s old collection of Samsonite sets from the 60s, but still…) Then there are the Aquanaut helmets turned upside down, and the Blacktron II jet pack for an archway, as well as, well, some 2×4 wheel wells for other arches. There’s more, too, but all of these parts from my childhood are making me nostalgic, and so I need to go find my own childhood LEGO sets, as well as my dad’s, and get the cool pieces to use in future builds of my own.

Welcome to hell...I mean, Hades

If you want to get the god of the underworld to do you a favor, you had best rosin up your bow and get ready to fiddle for your soul. Oh wait, wrong story. Music is still the key, though, and I’d wager a fiddle made of gold that the Ancient Greek hero Orpheus could even beat Johnny from Georgia; at very least he played his lyre so beautifully that it moved the cold heart of Hades to compassion, granting him his desire to take the shade of his beloved wife Eurydice back to the surface (with some provisos, admittedly). Simon NH has built the scene of the hero before the god, and it captures the feeling of the underworld perfectly.

The god is fittingly large in relation to the mortal, and his face is cold and foreboding. His crown is made from sais is nice and spiky, and chains hanging everywhere give it all the feel of a dungeon. My favorite bits are the green flames made from jagged-edged swords, just for the splash of color it gives to an otherwise dreary-toned build. But what really sets this build apart is the dramatic lighting. Everything is in shadows except the figures and the bit of path separating them, setting the stage for the dramatic performance of Orpheus. Despite being, in my mind, the Hawkeye of the Greek heroes (Jason: “What’s your superpower?” Orpheus: “I play the lyre.”), Orpheus ends up being one of the most impressive of them all.

A perfect castle destination for that end-of-summer family vacation

When I think of all the activities and amenities I want in the perfect vacation locale, the first things that come to mind are: disease-filled swamps; crocodile-infested waters; dark, damp, and uncomfortable rooms; seminars on torture; unnecessary violence; and a complimentary continental breakfast. Fortunately for me, Patrick Massey has built exactly such a place! The dark green waters around Stormholme Castle tempt me with their malaria, West Nile, or dengue-carrying mosquitoes, and the lushness of the vegetation makes me certain that the humidity level is probably about as close to the carrying capacity of air as it can get; I love sweating profusely while being bitten by bugs, don’t you? The dark gray castle itself looks appropriately foreboding, given its swampy setting, and is, shockingly enough, Patrick’s first actual castle (he has specialized in the medieval fantasy genre for at least six years, yet never built a castle; a few towers, and small fortresses, but no castles). The wait has been worth it.

Click to see more of this incredible castle

A story in bricks: Ladyhawke comes to life in a family affair

Often, art ends up being a family business. How many Bachs and Strausses and Brueghels are there, to name a few? In the LEGO world, there are few notable families, too, one of which is the Durand clan. They boast such talents as Geneva (formerly known as KaiNRG), Isaiah (also known as Robert4168/Garmadon), Josiah (also known as W. Navarre), Sarah (also known as 24 Cupcakes), and Anna. All but Isaiah contributed to the collaborative build category of this year’s Summer Joust (put on by another famous LEGO family, Isaac and John Snyder), and the resulting story told in bricks is breathtaking. They opted for a full-frame, all-LEGO format for their presentation, which is exactly my cup of tea. They are telling, in four builds, the story of Ladyhawke, a 1985 medieval fantasy movie starring Matthew Broderick and Michelle Pfeiffer. The story begins in Aquila, built in technicolor by Josiah.

Click to see the other builds in the collaboration

A palace fit for the sun

In the realm of LEGO castle builds, most of what we see is based off the European stereotype of grey fortresses, but thankfully this year’s Summer Joust building competition has a category for Middle Eastern creations. Instead of boring old grey, we get intricate tan! Talented castle builder Classical Bricks brings us the gates to a palace called Qasr Alshams, beautifully decorated with a touch of teal to complement its earth tones.

What draws my eye in the build is the amount of depth alluded to by having the different levels climbing higher and higher; what we see is just a small segment of what is undoubtedly a sprawling palace complex, complete with baths, a harem, dining rooms, administrative offices, and everything else that I have read about in the Arabian Nights, but it seems much larger. The battle droid legs make for an excellent railing above the gates, and the heads of the same droids make a nice detail beneath the battlements on the left. My favorite piece usage, though, is the pickaxes for door pulls on the gates. After a long ride on my camel through the desert, across the hot sand—I don’t like sand, since it is coarse and rough and irritating and gets everywhere—this looks to be a welcome place to stop and rest. That’s assuming I make it past the guards, of course.

This epic LEGO coal mining shovel is nearly as tall as its builder

If this 1:28.5 scale model of the Marion 5760 Mountaineer stripping shovel doesn’t make your jaw hit the floor, then I suggest you take a closer look. Personally, I am glad that it is equipped with robust power functions to lift mine back up. Beat Felber, also known as Engineering with ABS, has created an absolutely stunning model of this monster of a machine used to scrape off the top layers of earth from seams of coal in Ohio. The Mountaineer was in operation from 1956 until 1979, and considering how massive the LEGO model of it is, I can only imagine how enormous the real thing was. It must have moved a lot of dirt. I almost said “a ton of dirt”, but I’d bet the shovel could lift a lot more than a ton of rock and dirt in every scoop. (It was closer to 60 tons per scoop! – Ed.)

Click here to dig deeper into this build

This Y-wing is the bomb

There are some builders out there whose names are synonymous with quality, often in a highly specialized niche within the larger LEGO fan community. Jerac is one such builder, whose Star Wars creations are famous for their exceptional level of detail, down to the minutest of greebles, and their near-perfect scaling. His latest creation is a stripped-down Y-wing bomber with all of its parts showing, as was typical in the fleet of the Rebellion. I love the shaping of the cockpit, as well as all of the technical details on the back part of the craft. It is a difficult task to get the rear maneuvering rings looking good, but this version of the Y-wing has lovely round rings and even the little details that should be there. Can a minifigure-scale Y-wing be done better in LEGO? Perhaps, but I have not seen it.

Jerac’s builds are often a master-class in LEGO greebling techniques, with piece usages both expected and unexpected. By now, things like ingots and bars are old hat in spaceships, and even binoculars are expected; but the use of some of the binoculars here is a new one for me, at least: placed recessed into the ship so that only the lenses stick out, as Jerac has done here towards the back of the fuselage. The stretcher holder makes for some great cables or piping, and the use of minifig arms looks good, too, at the very back of the fuselage. And there are more handcuffs than I can count. All in all, this is one terrific spaceship, ready to drop some bombs on Imperial targets.

Every piece is useful in chess and in LEGO

If you love strategy games, it is likely that you enjoy chess, one of the oldest strategy games out there. When I was in high school, a group of friends and I got together to play chess every Friday, but I must admit that I showed up mostly for the Twizzlers and chips and salsa. Judging by his excellent LEGO rendition of a chessboard, Chris Maddison seems like the kind of guy who would have shown up to show people up with skillful moves and clever endgame strategies.

This is a very handsome and elegant board and set of pieces, with virtually no studs showing except for the eyes and throats of the knights. The anti-studs at the top of the rooks look great, but my favorite piece is the king, with a simple yet effective cross atop his crown. The SNOT (studs not on top) board looks perfect for playing; I could easily see myself being checkmated in three moves on it. Perhaps it is time for me to dust off my old chess set and start playing again; or better yet, I could build myself one like Chris.

A LEGO philosopher’s dream

Sometimes the best inspiration for a LEGO creation comes from someone else’s failure, or at least from their frustrated abandonment of a complex idea. Pau Padrós‘s brother attempted to build Raphael’s masterpiece “The School of Athens”, but was about to give up; Pau took the build, changed the scale, and ran with it to create this amazing digital model. The painting, and thus the plastic version, focuses on the two most important philosophers of the Greek world, and thus of Western civilization: Plato and Aristotle. Naturally, some details of the original painting have been lost—I don’t recall Euclid’s face being a hollow square in Raphael’s version—but it is still a masterwork in forms; Plato would be proud. (That’s a philosophy pun, if you missed it.) I love how Pau has kept the detail of the two philosophers’ hands, with Plato’s pointing to the sky (where the ideal forms of all things reside) and Aristotle’s flat over the ground (which is the natural world, the observation of which is the source of our knowledge).

Besides the philosophers shown, which is exciting enough, Pau has hidden all sorts of details in the build. Each of the figures of Socrates, Plato, and Aristotle are comprised of twenty-two pieces, which in numerology means that they are on the path to turn dreams to reality. Of the 41 solid colors of LEGO in production, 38 are used, which perhaps represents the broad range of ideas held by these different men (and woman). The sextant makes for an effective lyre in Apollo’s statue’s hand, and a droid body approximates Athena’s Aegis-shield well enough. Don’t miss the green barbed wire as Epicurus’ garland, either. With forty-seven philosophers here (everyone from Alexander to Zeno) there’s something for everyone to appreciate and emulate. Most importantly, perhaps, is the lost art of disagreeing amicably and discussing rationally.

Want to see more of the build? Check out the video here:

Swoosh in space in style

I love spaceships. I might not be Benny the 1980-Something Space Guy, but I was born in the 1980s and my name is Benjamin. I used to build spaceships all the time from my modest LEGO collection, mostly small, single-seat fighters. This spaceship, built by seb71, hits all the things I love about spaceships. It has elegant lines, attractive curves, a coherent color scheme, enough greebly texture to be believable, and massive propulsion units; it looks perfect for picking up and swooshing around while making engine vrooms and blaster pew-pews and running around the living room. I mean, everyone does that with a spaceship when they are done building it, right?

In addition, it has great striping, lovely integration of sloped bricks and different angles, and the single-seat cockpit that brings me back. Of course, this is way bigger and way better than anything I built as a kid. While smaller elements give satisfying greebles, like the gear rack and the macaroni tube, the real star of the show is the hot air balloon piece as a reactor cover. It works perfectly. I love that the reactor is still visible underneath the housing, too. The twin-pronged fuselage gives the ship a distinct Vic Viper feel, making me hope that we’ll see more from seb71 around NoVVember.

The form of the Forum taking shape

I love it when two things that I like and know something about come together, like peanut butter and jelly or LEGO and Roman history. Tim Schwalfenberg brings us a slice of the early days of Rome, when they were still constructing the Forum.

Or perhaps it is later in Rome’s history when they were building a second, third, or fourth forum. I suspect it is early, though, since the streets are not yet paved and there is still active construction going on with a wooden crane lifting up a block of marble to add to a second building. If that’s not deep enough, please excuse me while I put on my scholar hat for a moment. It should be pointed out that not everything is completely accurate here: the Romans generally built with brick or concrete and faced the buildings with marble, rather than building the whole thing of marble; and also, Caesar Augustus, the first Emperor of Rome (reigning from 27 BC to AD 14) is said by the historian Suetonius to have said, “I found it of brick, but left it of marble”, since marble was rarely used before Augustus’ day.

However, taking my scholar hat off, this is an impressive build, with lovely columns of clearly Ionic styling. The structure conveys the grandeur that is proper to that mighty republic of the past. The trees are particularly nice, with the whips coiled around in an organic way, and evoke the stone pines of Rome well. The folded minifigure capes do a great job as togas, too; you can see a few senators, perhaps, near the sundial in their white togae candidae. My favorite piece usage, though, is the inverted jumper plates for the ladders. The whole thing is impressive. Augustus would be proud.