This latest creation by Andrew Tate brings some 1920s style to a staple modular of any LEGO city. Standing at four stories tall and topped with a clock tower, Andrew’s Art Deco bank has both the perfect color scheme and expertly designed architectural details. The light bluish gray concrete facade flaunts a variety of textures and geometric patterns, ranging from your standard 1×2 grille and log bricks to 1×1 pyramids and angled tiles. The use of SNOT with tiles achieves a sturdy look fit for a bank, while techniques like the slightly offset dark green cheese slope detailing and gold accents around the windows break that monotony.
No matter what day of the week it is, it’s always nice to go to the local farmer’s market. Not only are the food and goods top-notch, they also have a nice atmosphere. Not unlike Andrew Tate‘s village grocer, which has a charming house rather than tents and food stalls. No doubt the fruits and vegetables sold outside in crates are locally grown, given the small-town feel of the build. The ground floor has a small convenience shop, and the rest of the house must be where the owners live.
Andrew pays homage to a more famous LEGO grocer, a popular Modular Building set from 2008. The green and tan awning is similarly to the blue and white awning of the LEGO set, and both share the same white Fabuland lamp-posts. Andrew also references LEGO’s Winter Village series with this village grocer’s alpine architecture. It fits right in there, minus the cold and snow. Come to think of it, what’s Winter Village like when it’s not winter?
Some people do not mind having studs showing in their creations. Some people strongly dislike having studs showing in their creations. Some people, like Andrew Tate, decide to have the studs showing with a purpose. In this latest model by Andrew, the studs are meant to represent the tiles on the wall. The effect sure is stunning. I am also a big fan of mixing the different shades of blue. LEGO has been pushing out a lot of softer colors ever since the release of LEGO Friends. And it sure is nice to see these colors getting incorporated into non-Friends builds. When it came to the flooring Andrew decided to go full studs-not-on-top which means that most of the floor is held on by gravity and willpower. It must have been quite the challenge to lay this intricate floor pattern. There are a lot of details to discover and this most definitely is a creation that deserves to be zoomed in on.
Hot on the heels of a 1930s downtown street scene, LEGO builder Andrew Tate has now put together this fabulously retro airport arrivals hall. The tiled and patterned floor is a key element in lending this a smooth and shiny look, and the colors create something of a 70s vibe, but the other details are also spot-on. I like the little luggage carousel, but don’t miss the shop with its postcard rack and extensive selection of LEGO newspapers, the information desk and its pigeonhole wall, and most importantly, the well-signposted toilets. Throughout the model, there’s excellent used of official LEGO stickers and printed tiles, which add interest and detail without contributing too much visual clutter. The best bit of all? The map on the wall — fantastic use of quarter-tiles to make for a stylized yet immediately recognizable Mercator projection depiction of the world.
Take a trip back in time with Andrew Tate‘s bustling downtown scene, depicting a LEGO city during the 1930s. There’s a corner bakery, a menswear store, and a lovely cinema featuring the Egyptian architectural motifs popular on such buildings at the time. The streets are nicely busy, with a tram and a period-appropriate car, and packed full of minifigure action. In a refreshing change for a model set in such an era, there’s not a mobster to be seen! I particularly like the variety of colour and styling in the upper storeys of the buildings, and the top-most portion of the cinema frontage is just fabulous.
This gorgeous piece of LEGO architecture by Andrew Tate is an Art Deco fantasy. Growing up near beach towns as a kid I saw tons of places like this with names like The Dunes, Ocean Vista and The Tides. They were bright, cheerful buildings with tropical color schemes and sun burned beach goers coming in and out. I was fascinated by the various examples of architecture, which ranged from Art Deco design to that of the Atomic 50s.