Tag Archives: Vignettes

Vignettes are like the haiku of the LEGO world. Usually built on a base 8 studs wide by 8 studs deep, vignettes show a little scene or a moment in time. But like written poetry, there’s plenty of variation on the basic theme.

I want to go to Sesame Street

At least this cute little one by Matt Armstrong (monsterbrick). My favorites for sure are Oscar the Grouch and Elmo’s little clam head, but Cookie Monster comes in a close.

LEGO monsterbrick Sesame Street

Why in the world am I not camped outside Matt’s house waiting for the next great creation?

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Awkward Dinner

In this comical vignette, Kevin Wise (WisrthanU) presents one of the best uses of the dummy fig along with an effective application of forced perspective.

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Countdown to Christmas in Santa’s Workshop

Brad Bergman made a full size window display of an advent calendar. Each of the 24 room contains a vignette and represents a day of December leading up to Christmas. Although you can already see the rooms revealed, Brad is posting detail shots of each vignette daily along with a description. You can follow the postings on his Flickr photostream.

Thanks for the tip Dylan!

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The story of Anabelle, the Wandering Witch

Bart De Dobbelaer has started another series of storytelling vignettes, and this time the plot takes place in a fantasy era setting. I love the construction of each vignette on an irregularly shaped base. If you haven’t experienced Bart’s other two stories, you should check them out.

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Wouldn’t it be awesome to have a gold LEGO turkey?

Now you can score this real-gold plated LEGO turkey, the only one ever made from ChromeBricks, and it’s awesome. Simply build a turkey in the next three weeks and post a picture on this Flickr page, just in time for Thanksgiving. Yum.

Full details here.

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Abu Simbel by Shmails

I’m liking the imposing majesty conveyed by Jonathan Gilbert (Shmails) in this loose micro rendition of the Abu Simbel temple complex on the Nile in Egypt.

LEGO micro Abu Simbel by Shmails

He’s also made a quite a nice vignette from the opening scene in Stanley Kubrick’s A Clockwork Orange.

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Familiar . . . but tiny

I spent four days under the shadow of Robin Sather’s 1:1 scale torii gate at BrickCon last weekend, so it was lovely to see this equally impressive-but much smaller- version of Miyajima Torii by Matija Grguric.

Matija Grguric Miyajima Torii

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Girlpocalypse Now

I’m back from BrickCon, and ready to unveil the only new creation I’ve built since July. I had the funky idea to build this one evening, and actually had the time to do so. I figured that the post-apocalypse building scene could use a little more levity, and what’s better than cheerleaders to bring some cheer? Of course, I had to try to build a stereotypical cheerleader vehicle, which pretty much had to be an open top jeep or a VW cabrio. Then I added the legs, to make it more interesting, as well as ridiculous.

Cheerleader Battle Mecha-Jeep 04

At the behest of a friend, I brought the creation to BrickCon, and took photos of it on as many cool creations as I could manage. I didn’t anticipate the big response it got, so don’t be surprised to see some more girls of the apocalypse from me (nurses anyone?).

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Roasted minifig heads

Apparently that’s what Mr. Sharkman is selling. This vignette by Harlen (tomi&tree) is whimsically creepy. It’s even more interesting to see his adorable four year old son play with his new toy in this video.

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Color attack!

The poor mime never saw it coming. Great job James Zhan (pirate_cat), this would go well with Théo’s greeble attack.

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Chicken will not do tonight

I love the usually exotic vignettes by Crises. This one features a carnivorous plant, but what makes it interesting is the use of the Clickits cord for the plant’s tongue attacking an unsuspecting visitor. I also like the technique of using control lever bases to prop the glass panels.

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20,000 Leagues Under the Sea

Captain Spaulding built a scene from French writer Jules Verne‘s science fiction novel 20,000 Leagues Under the Sea. What makes this vignette a hit is the use of a framed ocean backdrop to to put the scene in context. The custom seaweed looks to be made from cut up sprue pieces. The effect is nice if you can overcome this non-purist technique.

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