Evan (Lego Junkie) has been hard at work since Brickcon a mere week ago, and the first fruit of his labor is this awesome3 mecha. Here’s a video of the transformation.
We don’t often feature Technic models on this blog. The Technic aesthetic is rather different from the ultra-realistic models that I tend to favour. In other words, I like models that look realistic (albeit with just the right sprinkling of studs), but don’t care too much whether or not it functions like the real thing. The subjects also tend to not excite me. I have great admiration for the cleverness that is involved in getting the mechanical bits to work, but the tenth Technic supercar, say, to me, looks just about the same as the first or second: both have got lots of gears and lots of holes in them. That said, sometimes a Technic MOC does hit the spot, like the Mad Monster Masher by Barry Bosman (Barman76).
It is based on the eponymous toy from the eighties, which I thought was pretty cool, and looks great. Like the toy, Barry’s model is remote-controlled. The front and rear wheels are steered using a Power Function M-motor and the vehicle is driven by no fewer than three XL motors. If you’re in the Netherlands, you’ll be able to see it in action at Lego World Utrecht, which is due to take place next weekend.
Burlogh’s rendition of Goldberry’s Spring from The Lord of the Rings is top-notch. I love the effect of foliage-piled-on-foliage that virtually hides the brick-built base. It really conveys the lush feeling of Goldberry and Tom Bombadil’s home. The tree has the appropriate feeling of age and Goldberry is holding the white water lilies that Tom brings her everyday. This is decidedly a nice piece!
70401 Gold Getaway is the obligatory carriage/chase scene set from LEGO’s newly rebooted Castle line. With 199 pieces and a $20 USD price-point, it falls in the middle of the scale for LEGO’s carriage sets (Amazon actually has it for less at the time of writing).
LEGO has a long history of prisoner transport wagons, releasing them in 1985, 1990, 2005, 2007, 2010, and now 2013, with this one being one of the larger. Thematically, LEGO’s new castle line syncs with the Castle line from the “Fantasy Era” (circa 2007-2009), since the “CASTLE” logo remains the same, and the heraldry is identical to that of the Crown Knights, though this time there’s a lion emblem in addition to the crown badge.
I’m not sure what’s going on in this set narratively. The title “Gold Getaway” implies a heist of some sort, but the wagon is a prisoner transport wagon (which also carries gold). I would guess, then, that the Dragon Knights soldier has absconded with the Crown Knights’ wagon of gold, but the wagon is clearly in Dragon Knights’ colors. Perhaps the Crown Knights soldiers, which have traditionally been portrayed as the “good” guys, have taken a cue from Dennis Moore and gotten into the highway robbery business. That might explain the scowl on the Dragon Knights soldier’s face.
The box contains 2 numbered bags, the instructions, and no stickers or loose parts. With only 199 pieces, it’s a pretty simple build. Bag 1 constructs the 2 Crown Knights soldiers, the small structure, the ballista, and the horse and tack. The structure is hideous. I’m sure the intent of mixing the brown and grey pieces in the structure was to give it a mottled, weathered feel, but it just doesn’t work. It looks like there’s a piece missing on the top of the back side, although with a structure this small front and back have little meaning. I’m not sure what the structure is even supposed to be; there’s no place to put a figure on top, like a small tower, and the bottom is open, so it’s not a defensible structure. I thought perhaps the instructions would give a hint, but alas, no such luck. I suppose it’s simply a doorway for one of the knights to pop out and surprise the wagon. The ballista is better, however. For all my loathing of flick-fire missiles, I do have to admit that when placed properly, they can work quite well. A good finger flick on the missile piece here sends the missile flying several feet, once you get the hang of it. The ballista carries ammo for 3 shots.
Bag 2 completes the set, containing the pieces for the wagon and the Dragon Knight soldier. The wagon is an OK build, but uninspiring. It’s a single horse wagon, with an immobile grate on one side, and a barred-door on the other. It carries a treasure chest on the back. The base contains several hidden tiles. I thought as I was building it that this was to enable the prison section to be removed from the chassis to create a standalone structure. Upon completing the build though, I discovered this wasn’t the case, and the wagon is firmly built as one piece. The only other reason I can determine is that this particular arrangement of pieces means that there are no plates stuck completely within the underside of the larger grey plate where LEGO’s brick separator can’t remove them. I don’t recall LEGO being shy about this in the past, but as long as it doesn’t hamper ingenuity, I think it’s a good idea. The roof is removable, more as an access point than as a play feature. The red 1×1 “cheese” slopes on the roof look like an afterthought. The main play feature of the wagon, however, is the explosive bolt on the chain over the door. Push a Technic axle protruding on the opposite side, and a flick-fire missile to which the chain attaches flies out, “unlocking” the door. It works well, though I think the “lock” 1×1 round tile (which is a neat print) would be better placed on the chain than on the door, since it’s the chain that really unlocks. The unlocking mechanism, cool though it may be, isn’t really necessary though, since any prisoner can easily escape through the gaping hole in the back of the wagon. 
The wagon’s pearl dark grey wheels are a welcome change from 30 years of brown wheels, and are currently unique to this set. The horse tack is brick-built to take advantage of the new style horse’s ability to rear while in the harness, instead of using the classic harness piece. I thought that maybe with the new style horses, that classic piece might be phased out, but it appears in many sets that use the new horse. This was the first set I’ve gotten that includes the new style champron (that’s the armor piece that goes on a horse’s head). Here’s a comparison shot between the 3 styles of champrons LEGO has made. The two older styles only work on the old horses, and likewise the new one only works on the new horse. I like all 3, and I think they 
will all have their places. The chest on the back of the wagon contains 3 gems and 6 “coins,” which are 1×1 pearl gold round tiles. Now, I love the new 1×1 round tiles, so I’m always happy to get more of them, but they make lousy coins compared to the chrome ones LEGO has been using for years (and which they recently redesigned). Since the chrome coins do appear in other sets in this line, I’m guessing the substitution here was to shy away from using chrome parts, which are famously expensive.
The minifigs are all solid. LEGO has determined over the past few years that kids really identify with the minifigs, and that they are a strong selling point in any set, so they’ve been slowly working more detail into each figure, regardless of theme. All 3 minifigs have detailed front and rear torso printing. One of the Crown Knights soldiers is in full plate armor, while the other is wearing a tunic. The minifigs are definitely the highlight of this theme.
All in all, this set is very underwhelming. It’s just one example of many from this wave of Castle sets that shows that the general increase in the quality of construction we’ve seen in most sets for the last 6 years or so isn’t immune to hiccups. Compared to the preceding Kingdoms line, this wave of sets is a profound disappointment. This CASTLE line is reminiscent of Knights Kingdom I, which wasn’t the worst Castle line LEGO has produced, but it’s far from a compliment. The parts in this set are fair, and unlike the KK1 line, it isn’t full of large simple pieces. So ultimately, it’s a passable parts pack, and the minifigs are excellent, but I can’t recommend Gold Getaway as a set.
This is my envisioning of the arena for Iron Builder, a series of competitions that pit the most skilled and competitive builders against each other in a month-long face-off to build with a mystery piece. I was inspired to make this arena after witnessing a spectacular show by the Mayos vs Ericksons round. This creation will be for sale in this year’s Creations for Charity for someone who wants to own a creation that tells the legendary battles of some of the greatest Lego builders.
Well, I’ve had the place to myself this weekend and it’s been fun spinning the tunes for your weekend pleasure. Diamond Dave Shaddix is late to the party but he’s arrived just in time with a case of beer, a bag of barbeque potato chips and this colorful mosaic of Boba Fett. I can think of no better way to end my shift. I recall getting into fisticuffs with a fellow 6th grader over a Boba Fett doll back in the day…some things are worth fighting for. Have a great week.
It was my distinct pleasure to attend the 12th annual BrickCon in Seattle last weekend along with about half of TBB’s contributors, hundreds of talented builders and thousands of slack-jawed public hours gawkers. While I’m sure you’ll be seeing and reading more about the convention from my Brothers, I’ll be focusing this post on a collaborative sci-fi project I took part in called Hub 14 that featured 23 builders from Brazil, Canada, Germany and a U.S. contingent that included both Alaska and Hawaii.
Hub 14 was a sprawling 4ft by 12ft slice of alien landscape that included an air-traffic control hub, landing pads and swampy terrain that provided a stage for dozens of VTOL spaceships, mecha, minifigs, monsters, hard-suits and personal conveyances of every variety. Although it apparently won a category award of some kind (I didn’t actually see it happen) Hub creator Michael Rutherford claims that no trophy was actually distributed and if there was he had no specific knowledge of such an artifact. The real value of the Hub was the camaraderie enjoyed by its participants and the shared effort to bring the diorama to life. Clear evidence of the spirit of the Hub was the exchange of VTOL’s by many of the builders at the end of the convention, with nobody being more generous than Simon Liu, who basically gave everything away. Everyone pitched in from set-up to tear-down and I think I can safely say that a good time was had along the way. My favorite aspect of the project was meeting and working with some of my favorite builders that I’ve somehow missed in my convention travels, people like Pascal, Gilcelio, Nick, Sam, Chris, Aaron, Adam, Evan, Ryan, Simon and Will. While it’s great to work with beloved cronies like Mark, Breanne, Bram, Josh, Ian and Ley (to name a few) there is a special thrill adding new blood to the mix. I learned a great deal about collaboration along the way and I feel like I’m a better builder as a result.
But there was also a dark side to the shenanigans occurring at Hub 14, most notably this truly disturbing and deadly embrace shared by Michael Rutherford and Ryan Wilhelm. While this borderline cosplay only lasted a brief 3 and a half minutes to get as fellow Hubbite Simon Liu put it “Just the right shot“, it seemed to most observers that time was slowed like Neo stopping incoming bullets in The Matrix. I like to think I’ve been to my share of conventions and seen some odd behavior out of my fellow Lego nerds, but this was a whole new level of strangeness….at least in the on-site venue. I still wake up screaming, thinking about this terrible soul-kiss…and yes constant reader…there was tongue.
Although my final anecdote is only superficially related to Hub 14, it is without qualification, the best. No doubt as a result of his association with the Hub, the eternally effervescent Nick Trotta was approached by Lego’s own Keith Severson (Sr. Manager of Community Support) about taking Nick’s “Solar Sweeper” starfighter back to Billund to be displayed within their innovation studio. Apparently it will be set up in an area for LEGO designers to regularly see and take some inspiration from what our awesome building community is up to. In Nick’s own understated words “Wow!“. After meeting Nick and his long suffering (and much funnier) wife Adelle, I can safely say it couldn’t have happened to a nicer, more humble dude. So keep hope alive constant reader, if you have the requisite skills you might just get “discovered” at a convention.
So many thanks to the hard working and hard partying international crew of builders that was Hub 14, you guys (and gal) are the best. The project would not have been possible without the generosity and logistical assistance from TBB’s elder statesman Andrew Becraft who not only allowed me to ship 10 boxes to his domicile but also moved them to the venue and shipped them back without so much as a complaint. Thanks also to Wayne Hussey and team for another fabulous BrickCon! If you are interested in the specific contributions of each member you can follow the links throughout the article or head on over to Ryan Rubino’s photostream for additional action. Due to post-convention hangover disorder (PCHD), some of the contributors have not yet officially posted their models to Flickr, so stay tuned to your stream for more details. There is a public Group Pool for the Hub, but again, because of PCHD it is still in its infancy.
I’ve been told by experts in the know that this sort of coverage isn’t well loved by our audience and usually results in a downward spike in statistical interest, so thank you for your indulgence. If you have a thought you’d like to share on the topic of convention coverage I’d love to read about it in the comments.
French builder 6kyubi6 a.k.a. Jimmy makes his fourth appearance of 2013 with “Thug Bunny“, a vision of leporine horror that is sure to get you ready for Samhain. Some models don’t need explanation or description so I’ll leave you two alone. I can’t stare into those eyes any longer…look for more entries in the Badnimals series as the month progresses.
I’m starting to think that LUGPol either doesn’t have any sub-standard builders within its ranks, or they kill them off before they can embarrass the group publicly. Either way I’m delighted to present Polish Air Marshall mrutek’s latest effort, a fabulous single-engine biplane called the Antonov An-2. The An-2 was a large, slow flying utility transport used as both a crop-duster and for the deployment of paratroopers. The Guinness Book of World Records states that the 45-year production run for the An-2 was for a time the longest ever, for any aircraft, but it was recently exceeded by the Lockheed C-130 Hercules.
We’ve been known to feature a life-sized camera or two on the Brothership over the years, which seems only natural when you consider how much our hobby depends on them for sharing our creations. The latest outstanding entry into the category comes to us from Alex Jones (Orion Pax) who takes on 1983’s NIKON FE 2. The model has everything you’ve come to expect from the always reliable Mr. Jones; accuracy, inventive use of parts and glorious chrome. I think my favorite detail is the printed Jedi Starfighter canopy dish used as the lens, but your results may vary. For a complete selection of photos and information on this model, be sure and check out Orion Pax Designs
One of our resident masters of Mecha Izzo Legostyle returns to give you the uncut fix you so desperately need. The model is based on Japanese Manga also known as “Linebarrels of Iron” that tells a boilerplate story of a bullied junior high school student who acquires super powers and a giant robot to dispense justice and one-liners while causing a great deal of mayhem. I’m not sure why, but my eye is drawn to those beefy yet precarious looking legs.
