I know you’re all as insanely excited as we are about the forthcoming LEGO Batman Movie. We’ve already been tantalized with hilarious trailers, the official sets, and a rather splendid new line of collectible minifigs that reveal some of the movie’s bizarre characters and alternate versions of the titular hero. Toryman has built this charming living room around the Lobster-Lovin’ Batman minifigure:
While considerably more modest that the digs we’ll see in the movie, this version certainly measures up with its oversized fireplace, wine collection, very very dark grey coffee table, and tasteful red furnishings. Just the ticket for wandering about in a robe and gnawing on some lobster after a hard day’s crime fighting.
While we count down the days until the movie’s release on February 10th, TBB staff are working round the clock to try and crack the mystery behind the digits 07734. We have an extensive server farm crunching the numbers and searching for clues on the web night and day. So stay tuned! We think it could be something really big, and we’ll let you know as soon as we have something to share…
There have been many LEGO versions of the famous Star Wars trench run, and this one in minifig scale by Martin Harris 1 appears to have all the ingredients just right. This massive and highly detailed diorama with X-Wing, TIE Fighters and Darth Vadar’s TIE Advanced X1 is a feast of grays and shadows. At a length of 8 feet (2.4 meters) it’s hardly surprising that completing it took nearly a year and every gray tile and plate Martin and his son had in their collections.
Built for Brickfair Alabama, there are viewing windows cut out of the trench to allow us into the action, as accurately replicated turbolasers shoot at (and miss) Luke Skywalker as he hurtles along the surface of the Death Star with the Empire hot on his tail.
There are so many fantastic techniques and bricks used to create the complex detailing of the trench. I found myself spending a long time appreciating the various shapes and greebling throughout the trench.
Martin must have watched this scene a thousand times as he appears to have captured it perfectly. It even comes with a thermal exhaust port no bigger than a womp rat! A fantastic representation of the infamous cinematic climactic battle.
Created three years ago for a competition and one of his first big creations, this coral reef was built when Orlando Hay was only 11! Looking good enough to go diving in, it’s constructed with a variety of interesting and novel piece choices. Moon tires make wonderful anemone, clear round 1×1 bricks make convincing bubbles, and various technic pins make the ocean floor look textured. This colorful underwater scene contains a plethora of piscine and invertebrate inhabitants as well as an eel, squid and a turtle all sitting on a carefully hidden LEGO moulded baseplate. No reef would be complete without shipwreck and treasure, but if you plan on going diving just watch out for that mine and the shark chewing a flipper!
Even though this medieval store by Isaac Snyder uses textures and techniques we see very often in medieval builds lately, it still manages to look unique; first by its complex layout and secondly by its use of dark gray as the stone bricks, which is for some reason rather uncommon. While the model is called Sigurd’s General Goods and is not a direct recreation, it is obviously inspired by the Bits and Pieces general store in Solitude, from Skyrim.
I’ve never been in a workshop as clean as this one by ForlornEmpire. I expect to see some oil, spilled coffee, or some sort of mess surrounding that giant engine — can’t say I’d lay below it, either. The scene has a ton of great detail, from the simple and effective fluorescent lights to the tool drawers, which I absolutely love. They look just like they should, at a good scale, and it’s a fantastic use of a bucket handle!
First there was Blacktron in 1987, then there was Blacktron II in 1991. Now Luc Byardmay have created Blacktron 3.0 with this awesome updated Blacktron landing pad. His ship “Aerial Intruder” sits on the octagonal landing gantry with alien hieroglyphs. Sitting atop four carefully constructed legs on a tidy base with realistic moon surface pocked with brick-built craters.
The whole construction took over a year to complete (6 months for the ship and 7 months for the pad). When you see the level of complexity and details that have gone into this incredible creation you can understand why. Continue reading →
Sometimes simple is highly effective, like this lovely little build by David Zambito. This little scene by the ocean has a lot going for it, technique-wise (The curves of the half-built/half-destroyed ship are quite lovely!). I like the rock work and the sand dune; the uni-kitty horns and 1×1 round tiles as shells gives it a nice touch. I rarely see beaches completely clear of debris!
It’s a lovely setting for whatever nefarious conversation is happening in the bones of an empty ship!
I’ll admit it: despite all the sci-fi that I build, my secret loves are castle and historical builds. Today Gabriel Thompson takes us out of medieval Europe, and heads north to Scandinavia and the land of the Vikings. The snow and ice in this scene are excellent, with undisturbed curves on the rocks, and studs in front of the hut to make it look a little more slushy after being stepped on. I’m also a fan of the marshy path left by the boat as it cuts through the thin ice. The only thing I don’t envy in this build are the minifigures’ short sleeves in such cold conditions.
This amazing pirate-themed collaboration between Grant Davis and Eli Willsea was built in just three weeks. The gorgeous diorama features excellent rockwork, moving features in the waterfall and the ancient stone calendar, as well as lighting inside the temple. One more very important aspect of the build, in my opinion, is the ratio between the land and sea, which adds a lot to the overall impression of the creation.
I highly recommend you check out the many closeup photos showing all of the incredible details in this build, as well as the following time-lapse video which highlights some of the moving features:
Bored with dull city dioramas where everything is awesome? Professional South Korean LEGO-building quartet OliveSeon knows how to ring the changes on the major LEGO city airport hub. How about a massive superhero battle? They’ve done some impressive work recreating one of the biggest screen brawls of the previous year, from Captain America: Civil War. And don’t be surprised: those planes and little yellow service cars are actually from official LEGO City sets, and they look simply perfect in this diorama.
What’s particularly awesome about this scene is the main airport building. I bet that perfectly planned and executed interior would make you forget there’s a battle going outside on the runway! Bonus points awarded for an extremely smart use of the tram from LEGO set 60097 City Square, which here is turned into an inter-terminal train.
And if you like this airport, also check out the incredible LEGO airport we covered in November.
We’ve seen the Caped Crusader get out of many tight spots when battling his enemies. But maybe this time he might actually meet his demise at the hands of the menacing Killer Croc in this LEGO diorama by Cid Hsiao. Towering over the fallen Dark Knight, the reptilian menace stands on a crushed pavement that has been shattered by his forceful weight.
Every part of this scene conveys a real sense of action in motion. I love the rock formation and imprint left in the pavement where Batman lays, where we assume he has just been hauled. The Bat-Cycle lying in pieces and that broken pavement at the feet of Killer Croc are simply perfect. The star of the show is however Killer Croc himself. Dressed in prison garb and broken shackles, the build is cleverly constructed using simple joints, giving an organic feel to the beast.
A trio of Martian walkers carve a path of destruction through Tokyo Tag Team‘s city as the sun sets. The tripods look decidedly alien with a thin organic style contrasted by the squared off cityscape, and you don’t need to see the heat rays firing off to tell that they don’t come in peace.
While the tripods are the focus of the creation, I find the smoke trails off the burning buildings particularly clever. The billowing clouds of black curved bricks add a sense of movement that a vehicle on a plate just wouldn’t be able to capture.