Tag Archives: Forced Perspective

I see a little silhouette-o of a minifigure

The LEGO castle building contest, Summer Joust, got underway recently. And one of my favourite categories this year is that of Silhouettes. The brief is simple: make whatever you want, but at no more than 6 studs depth. Considering LEGO’s inherently three-dimensional nature, it’s quite the challenge – but one that’s no match for Ids de Jong. He’s built this atmospheric castle scene that really leans into the theme of the contest. The mostly monochrome scenery is offset by the sunset in the distance, which emphasises the forced perspective at work. You could also see a deeper meaning here. The dark colours and creepy-crawlies in the foreground, coupled with the knight walking away from them towards the sunset and brighter pastures, indicate to me this soldier has overcome a great challenge. Perhaps that’s how Ids feels about this build!

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A library for those who aren’t tirelessly building...

After over 30 years of building with LEGO, I can’t tell you how many rubber tires I’ve amassed in my collection. And as someone who never designs anything automotive (primarily due to lack of skill), they have sat collecting dust for far too long. But Tom Studs gives me hope for their eventual use with this brilliantly floored scene. Utilizing forced perspective, Tom gives us a view out the building’s main portal into a green wilderness, complete with a perfectly positioned minifig to convey all those feelings of wanderlust. The interior of the door is beautifully designed, with plenty of intricate brown designs that stand in stark contrast to the verdant outdoors and its winding stone path. But, again, the real star of the show is the cobbled black floor, comprised of a multitude of brick “nuggets” each wrapped in an appropriately-sized tire.

Storming the gates

So often in LEGO castle creations, the focus is on the large keep in the middle. But in a refreshing change of pace, Oshi has–literally, as well as figuratively–shifted the focus away from the big structures and to an often overlooked one by centering their build on the gate, with the rest of the castle in the background. It’s not immediately obvious, but Oshi has also employed forced perspective, as the back buildings are not quite minifigure scale.

Across the fields of Pelennor, Gandalf rides to Minas Tirith

The city of Minas Tirith in J.R.R. Tolkien’s The Lord of the Rings (especially as depicted in Peter Jackson’s movie adaptations) is a fairly popular subject for LEGO microscale builders. But Joe (jnj_bricks) takes his LEGO build to the next level — or seven levels, if you count all the rings in the city — by creating a multilayered scene that places Gandalf astride Shadowfax in the foreground, the Tower of Guard in the middle distance, and the White Mountains against grim clouds in the distance. It’s often tempting to photograph your LEGO models from a high three-quarters view to show off all its details. While Joe has certainly built plenty of detail into his White City, he avoids that temptation by placing the viewer at Gandalf’s level in the foreground, looking up toward the city, with the Citadel of Gondor and Tower of Ecthelion reaching toward the lowering sky. The overall effect is magical.

If you’ve enjoyed Joe’s forced perspective LEGO version of Minas Tirith, be sure to check out an even more detailed microscale LEGO Minas Tirith by Koen that we featured nearly 5 years ago.

The many perspectives of medieval art

It’s always fun to see LEGO builds explore art history, such as this medieval scene from Joe (jnj_bricks). This build explores those fun and strange perspectives found in Europe’s medieval artwork. If you look up some of the art, you’ll find paintings and drawings where the foreground and background scenes are sort of pushed together with perspectives not achievable in reality.

This build of a monk busy with penning a manuscript shows off such angles between the front and back scenes. This allows for great detailing in both the foreground and background. The monk and his surroundings are chock full of incredible details, like the billowy robes and the tapestry behind the scribe. The castle through the door stands out with the texturing of its walls. This is an incredible idea, and a further example of LEGO as an artful medium.

Nevermind the dishes, we have castles to build!

At first glance, I was thinking these dishes are piling up and someone ought to do something about that. But then upon closer inspection of this LEGO creation by Filbrick, I realized someone has brought that beautiful outdoor view into the kitchen sink. The stack of plates makes pretty good towers, and the inverted red cups replicate the tower toppers nicely. The cutting board even makes an excellent drawbridge and the sink itself acts as the moat. I’m also fond of the stove burners to the right and the use of forced perspective is pretty ingenious. If my kitchen window above the sink had a better view than a little ramshackle house of a guy who died last February, I might consider stacking my dishes in such a way. But for now, check out the filbrick archives to see other clever and imaginative LEGO creations.

Dungeons and dragons and bricks, oh my!

Confession time: while I’ve always secretly wanted to, I’ve never played a game of Dungeons and Dragons (or other games of its ilk). Seeing all the great D&D builds popping up lately is doing nothing to scratch that itch. There have been some incredibly creative entries as well, such as this one by Ralf Langer. I love the inclusion of the pencil and notepad – crucial for remembering just what it is your character is up to. While they’re great in their own right, it’s hard not to focus on the amazing playing field curving up next to them. Ralf has somehow managed to make forced perspective work in an arc – te further up the cylinder you go, the more the landscape disappears into the distance. It’s a quite remarkable bit of workmanship.

A hero in danger needs to maintain perspective

The insect-themed Captain Flywing tries to evade the terrifying tongue of Mr. Tad the Toad in a comic cover-worthy LEGO build by Nikita Nikolsky. The dramatic perspective achieved in this shot is due not just to the angle of the photograph, but the size certain elements were built at. Captain Flywing’s head and left hand are built to a larger scale than his right hand or his legs. But when viewed from the proper angle, it creates the illusion of a perfectly proportioned crime fighter in a dynamic action shot.

Wintery forced perspective for the win

Forced perspective is always the way to go when you want to get noticed by TBB. Using niche LEGO parts in a clever way is another way to get blogged. John Snyder did both so I have no choice but to write an article about this amazing build. The forced perspective is created by building something that is further away on a much smaller scale than the things in the foreground. The background is too blurry for me to identify cleverly used parts, but the objects in the foreground are a lot easier to identify. The path is made of 1×2 round plates mixed with plates in dark tan. This makes the path look like it is made of cobblestones. A simple technique with a great effect. The tree is made using several limbs of Chewbacca. The print on this piece works perfectly for tree bark. When it comes to foliage John got really creative. The autumn leaves are made with toy winder keys. The fallen leaves are made using star stud holders. For the grass John used minifigure claws

Good castle builders always come in pairs

Do you know what’s better than a picture of one amazing LEGO creation? A picture of two amazing LEGO creations. This creation consists of a city built by Daniel Barwegen and a backdrop created by Bousker. I love the way a shared hobby like building with LEGO bricks can bring people together.

The city itself contains some smart part usage. We can spot a Mjolnir wall and round wheel cover windows. My favorite part, the ingot bar is used to depict decaying bricks. Between the buildings we can spot the blue roofed castle in the backdrop. The microbuild is used to create a forced perspective, and really deserves a quick zoom in. There are a lot of cool details hidden in the build, from the ripplig tiled waves to the flower stem pine trees . Even the puffy clouds are made of bricks.

Returning home just in time for the harvest

Forced perspective is always a way to get your LEGO creation to look amazing! Haven’t got the bricks to build a really big mountain for the background that you place at an appropriate distance? Just build a really small one! Caleb Saw did just this and it turned out amazing.

I always like it when a LEGO builder manages to capture movement in their creations. It makes the build less static and, if done right, makes the creation come to life. Caleb however did the complete opposite. He captured a moment in which everything stood still. The moment after the woman dropped her bucket after seeing her lover come home unexpectedly. At first I thought Caleb used Fleur’s head for the surprised face, but it turns out to be Luna’s. Which is a bit softer and quite demure which is perfectly for this scene. You can just sense that time stopped for a brief second. Both characters make eye contact and run towards each other. Caleb did this so well that I didn’t even notice the third person tending the crops.

A mountain sanctuary as big as a mountain

After a long journey, two weary travelers have finally set their eyes on their destination – and what a destination it is. Builder Joe (jnj_bricks) is no stranger to working with effective forced perspective, and this time he’s delivered such a large model that it’s hard to fathom it isn’t actually to scale with the minifigures in the foreground. But this amazing build has more going for it than size alone. The lighting of the scene is incredible, and the mountain sanctuary looks suitably carved from the rocks that surround it. The pillars and arches offer enough variety to keep your eye entertained, while repeating enough shapes to make the location feel cohesive. But I think my favorite detail is the two streams of water falling in the background. The layering of trans-clear plates and tiles to create arcs of water falling off of and away from the cliff is in an incredibly clever touch that adds to the model’s overall feeling of realism.

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