It’s not often that a diorama completely defies my expectations. When I saw this brown, tan, and gray scene by Gabriel Thomson (qi_tah), I dutifully clicked through expecting something post-apocalyptic. Instead, I found something far, far more interesting — the monumental architecture of Göbekli Tepe, a Neolithic archaeological site in Turkey from 11,000 years ago that predates agriculture.
Gabriel has faithfully recreated details like the stone walls between the standing stones and even the “bench” that encircles the structure. I also love that it’s a mid-process excavation he’s chosen to illustrate in LEGO, complete with a grad student (my assumption) documenting each strata with a camera as it emerges from the dusty earth.
One of my dearest memories of the summer in 1994 that I spent working on an archaeological dig in Jordan was a weekend trip to Petra. We arrived from Amman late in the evening, but several of my fellow archaeology students couldn’t wait until morning to see the amazing structures carved from the sandstone 2000 years ago, so we snuck across wadi after wadi, avoiding the main paths. Once past the guard posts, we walked through the narrow gorge known as al-Siq — pitch black at night — until the passage opened in front of us to reveal Al Kazhneh, lit only by starlight.
ArzLan built his LEGO version of the Treasury for the Hong Kong Animation Festival, and features Indiana Jones in his Last Crusade visit to this UNESCO Heritage site.
I just finished reading Peter Heather’s excellent The Fall of the Roman Empire: A New History of Rome and the Barbarians. After my visit to Room 49 in the British Museum a couple summers ago, I wrote in my Moleskine “Post-Roman Britain=Post-Apoc.”
So, does this diorama by Harry Russell (Karrde) featuring an Anglo-Saxon pit-house fall under ApocaLEGO?
Nah. But I’ll use any excuse to blog an archaeologically inclined LEGO model.
(Hat-tip to Legobloggen for helping me to catch up after a busy, busy month.)
I’m a sucker for archaeologically themed LEGO. As Bruce says, Barbara Werth gets credit for being the first to incorporate the new skeleton horse into a LEGO vignette.